"Frame By Frame" features two guitars where Belew loops a melody while Fripp
phases the same melody, in a manner which writer
Sid Smith compared to
Steve Reich. The title of the ballad "
Matte Kudasai" means “please wait” in
Japanese (待って下さい). The original release of
Discipline featured a guitar part on this track by Fripp that was removed from the 1989 "Definitive Edition" remaster and most subsequent editions. The 30th and 35th anniversary editions of the album include both versions of the song. The lyrics of "Indiscipline" were adapted from a letter written to Adrian Belew by his then-wife Margaret concerning a painting that she had made, with all direct references to its subject removed. The title of "
Thela Hun Ginjeet" is an
anagram of "heat in the jungle", a euphemism for urban crime. When it was first performed live, some of its lyrics were improvised around an illicit recording made by Robert Fripp of his neighbours having a vicious argument when he was living in Manhattan; this recording is featured on the track "NY3" on Fripp's solo album
Exposure. While "Thela Hun Ginjeet" was being recorded, Adrian Belew, walking around
Notting Hill Gate with a tape recorder looking for lyrical inspiration, was harassed first by a gang that took and played the tape and then by police who searched the tape recorder for drugs. On returning to the studio, he gave his bandmates a distraught account of what had just happened to him. Fripp covertly signaled to the recording engineer to record Belew, and this recording is featured on the
Discipline version of the track. "The Sheltering Sky", which heavily features Belew and Fripp on the
Roland GR-300 guitar synthesizer, is named after and partially inspired by the 1949
novel of the same name by
Paul Bowles. Bowles is often associated with the
Beat Generation, the writings of which would inform King Crimson's subsequent studio album
Beat. The back cover features the statement, "Discipline is never an end in itself, only a means to an end". The original front cover features a variation on a copyrighted
Celtic knot design by
George Bain. As it was found to be used without proper licensing, it was replaced on later releases by a knotwork designed by Steve Ball on commission from Fripp. Ball's design is also used as the logo of Fripp's record label,
Discipline Global Mobile. ==Reception==