His first professional music job was when he was eight years old, playing for a
tap dance class at Mercy Academy. During his adolescence, James's music career proliferated. Early jobs included being a member of the Earle Parsons Dance Band (c. 1952–55) which played various engagements around the Marshall area. During this time, he penned his first dance band arrangement. During the summer of 1955, at
Lake of the Ozarks in Missouri, James played for dancing and occasional jam sessions with the Bob Falkenhainer Quartet on the Governor McClurg Excursion Boat in the evenings. He recalls that "during the day we had free time and I became a proficient water skier that summer!" At age 16, a solo engagement followed in the summer when James traveled with good friend Ben Swinger to Colorado and ended up with a job in the piano bar at the Steads Ranch resort in Estes Park.
Discovery by Quincy Jones While in college at Michigan, James played
free jazz with musicians in Ann Arbor and Detroit. In 1962, his band entered the
Notre Dame Collegiate Jazz Festival, where the judges included
Henry Mancini and
Quincy Jones. The trio entered the competition not expecting to win but wanting to provide some avant-garde music in a contest field that was primarily straight ahead music. To the trio's surprise, they won the competition. Not long after, Jones signed James to an album deal with
Mercury Records. Mercury released James's first album,
Bold Conceptions (1963), a somewhat
free jazz exploration that was produced by Quincy Jones and that differed from the smooth jazz for which he would later become known. Among the songs on the album was "Angela", the theme song for the TV show
Taxi. James provided all the music for
Taxi and collected some of its music, including "Angela", on
The Genie: Themes & Variations from the TV Series Taxi (1983). When he toured in 1979, he was supported by a marketing campaign that included posters of him at the wheel of a New York yellow cab. The performances were documented on the album
All Around the Town (Tappan Zee, 1980), with a cover of James at the wheel of a taxi. James turned from smooth jazz to classical music to record
Rameau (1984), his interpretations of Baroque-period composer
Jean-Philippe Rameau. In later albums, he interpreted the work of two more Baroque composers,
J. S. Bach and
Domenico Scarlatti. A year after
Rameau, he moved to
Warner Bros. Records and collaborated with
David Sanborn on
Double Vision (Warner Bros., 1986); the album won a
Grammy Award for Best Jazz Fusion Performance. He would record albums for Warner Bros. (which also reissued Bob James' CTI and Tappan Zee/Columbia back catalog in the mid-1990s) for the next seventeen years. His collaboration with
Earl Klugh,
One on One, won a
Grammy Award for Best Pop Instrumental Performance in 1980 and has sold over one million copies. Another collaboration with Klugh,
Cool, (Warner Bros., 1992) was nominated for a Grammy, as was
Joined at the Hip (Warner Bros., 1996) with
Kirk Whalum. He also recorded
Flesh and Bone in 1995 with his daughter, Hillary James, and another solo album,
Joy Ride (Warner Bros., 1999).
Joined at the Hip was reissued with a 2019 Remaster on evosound.
Fourplay James was looking for a bass player while recording the album
Grand Piano Canyon (Warner Bros., 1990) with drummer
Harvey Mason and guitarist
Lee Ritenour. Mason and Ritenour suggested
Nathan East. After working with them for a while, James suggested they form a band, which resulted in the contemporary jazz quartet
Fourplay. The band has recorded over ten albums and has seen a couple of personnel changes, with guitarist
Larry Carlton replacing Ritenour and then
Chuck Loeb replacing Carlton.
Influence in hip hop James's music, especially his early albums, has been
sampled often, with his songs "
Nautilus" and "
Take Me to the Mardi Gras" leading the field.
Selected songs that use James’s music "Nautilus" was sampled by
Eric B. & Rakim in "Let the Rhythm Hit 'em",
Run-D.M.C.'s "Beats to the Rhyme",
Ghostface Killah's "Daytona 500",
DJ Jazzy Jeff's "Jazzie's Groove",
Jeru the Damaja's "My Mind Spray",
Freddie Gibbs's "Extradite", and "Farandole (L'Arlesienne Suite No. 2)". It appears on the
Funcrusher Plus LP from
Company Flow and
Nangdo's "Nikes". The bassline from "Nautilus" appears in "Children's Story" by
Slick Rick. "Take Me to the Mardi Gras" incorporates in its first four measures a bell-and-drum pattern that is one of hip hop's basic
break beats. It has been sampled by
Crash Crew's "Breaking Bells (Take Me to the Mardi Gras)", Run-D.M.C.'s "Peter Piper", the
Beastie Boys' "Hold it Now, Hit it",
Missy Elliott's "Work It",
will.i.am's "I Got it from My Mama", "
This Is Me (Urban Remix)" by
Dream, "I Want You" by
Common, and "Take It Back" by
Wu-Tang Clan. "Westchester Lady" was sampled by
DJ Jazzy Jeff & the Fresh Prince in "
Here We Go Again", as well as by DJ T-Rock and Squashy Nice in their song "Evolution". James's 1981 song "
Sign of the Times" was sampled by
De La Soul in their 1991 single "Keepin' the Faith" from the album
De La Soul is Dead and
Warren G and
Nate Dogg in their 1994 single "
Regulate". His 1980 song "Snowbird Fantasy" was sampled by French house musician and
Le Knight Club member
Eric Chedeville, also Known as "Rico the Wizard", in his 2009 single "Spell of Love", which was remixed later by
DJ Sneak. The track "Tappan Zee", named after the
bridge over a wide section of the Hudson River that James regularly crossed on his way to the studio, was sampled in Arrested Development's "People Everyday (Metamorphis Remix)". Digable Planets song Jettin contains a sample from "Blue Lick" by Bob James. In the past, James has stated that he had "a lot of respect" for the creative process of hip hop production, only being unhappy when his music was plagiarized or illegally sampled. James has begun to sample his own music, as shown on the composition "Submarine". He has also been collaborating in recent years with
DJ Jazzy Jeff,
Ghostface Killah,
9th Wonder, and
Slick Rick. ==Awards and honors==