Historians and Egyptologists such as
Adolf Erman and
Kurt Heinrich Sethe once thought the tales of
Westcar Papyrus were mere
folklore. Magical tricks that show animals being decapitated and their heads being replaced were performed as recently as a few decades ago, though today they are rarely shown because of
aesthetical and
ethical misgivings. Modern Egyptologists like
Verena Lepper and
Miriam Lichtheim deny this view and they argue that Sethe and Erman may have just failed to see the profundity of such novels. They point to multiple similar but somewhat later ancient Egyptian writings in which magicians perform very similar magic tricks and make prophecies to a king. According to Lepper and Lichtheim, their stories are obviously inspired by the tale of Djedi. Descriptive examples are the papyri
pAthen and
The prophecy of Neferti. These
novels show how popular the theme of prophesying already was during the
Old Kingdom – just like in the story of the
Westcar Papyrus. And they both talk about subalterns with magical powers similar to those of Djedi's. The
Papyrus Berlin 3023 contains the novel
The Eloquent Peasant, in which the following
phrase appears: "See, these are artists who create the existing anew, who even replace a severed head", which can be interpreted as an allusion to the
Westcar Papyrus.
Papyrus Berlin 3023 contains another reference which strengthens the idea that many ancient Egyptian novels were influenced by
Westcar Papyrus: column 232 contains the phrase
sleeping until dawn, which appears nearly word-by-word in the
Westcar Papyrus. Since
pAthen,
Papyrus Berlin 3023 and
The prophecy of Neferti show the same manner of speaking and equal picking up quaint phrases, Lepper and Lichtheim hold that Djedi (and the other wise men from same papyrus) must have been known to Egyptian authors for a long time. ==References==