Background In 1992, Snoop Dogg came to attention of the music industry through his vocal contributions on Dr. Dre's
The Chronic. That album is considered to have "transformed the entire sound of West Coast rap" by its development of what later became known as the "
G-funk" sound.
The Chronic expanded
gangsta rap with profanity, anti-authoritarian lyrics and multi-layered
samples taken from 1970's
P-Funk records. Describing
Doggystyle in 1993, Snoop Doggy Dogg likewise points to the album's realism, and the extent to which it is based on his personal experience. He said, "I can't rap about something I don't know. You'll never hear me rapping about no bachelor's degree. It's only what I know and that's that street life. It's all everyday life, reality."
Recording Doggystyle was recorded in early 1993 at
Death Row Studios. It was produced in a style similar to
The Chronic; some critics called it a "carbon copy". Death Row Records co-founder
Marion "Suge" Knight stated in 2013 that, "Daz pretty much did the whole album", and that credit was signed over to Dr. Dre for a fee. Snoop Doggy Dogg said Dr. Dre was capable of making beats without the help of collaborators and addressed the issues with Warren G and Daz, stating "They made beats, Dre produced that record". He discussed the track "
Ain't No Fun (If the Homies Can't Have None)", mentioning that Daz and Warren G brought Dr. Dre the beat but "Dre took that muthafucka to the next level!" Bruce Williams, closely affiliated with Dr. Dre, discussed the recording process during Dre's time at Death Row Records, stating: Williams said the album was never finished and because of the demand for the record, the distributors insisted the album be completed, otherwise they would cancel the album's orders. This resulted in Dr. Dre mixing the album and inserting the skits within 48 hours, which enabled the album to be released.
Rolling Stone writer Jonathan Gold described how Dr. Dre produced a beat from scratch to complete instrumental: "Dre may find something he likes from an old drum break, loop it and gradually replace each part with a better tom-tom sound, a kick-drum sound he adores, until the beat bears the same relationship to the original that the Incredible Hulk does to Bill Bixby". Gold also described how the track progressed with other musicians adding to the song, stating "A bass player wanders in, unpacks his instrument and pops a funky two-note bass line over the beat, then leaves to watch CNN, though his two notes keep looping into infinity. A smiling guy in a striped jersey plays a nasty one-fingered melody on an old
Minimoog synthesizer that's been obsolete since 1982, and Dre scratches in a sort of surfadelic munching noise, and then from his well-stocked
Akai MPC60 samples comes a shriek, a spare piano chord, an ejaculation from the first
Beastie's record—'
Let me clear my throat'—and the many-layered groove is happening, bumping, breathing, almost loud enough to see."
Title significance and artwork The album's title alludes to the
doggy style sex position and is a reference to the musician's name. The artwork was done by the late artist Darryl "Joe Cool" Daniel, Snoop Dogg's cousin, who died in July 2024. The artwork represents the themes covered in the album and the style of implementation of those ideas. Some critics believe the artwork portrays a woman merely as a hole to be filled by the man, which they believe adheres to the
narcissistic and
sexist lyrical themes Snoop Dogg covers. In this interpretation, the cover art and lyrics convey what they refer to as the self-indulgent "gangsta" lifestyle: drugs, cars, sex, and money. == Music ==