Box office Donnie Brasco was released theatrically in North America on February 28, 1997. The film earned $11.6 million from 1,503 theaters during its opening weekend.
Metacritic, which assigns a weighted average, rates the film a 77 out of 100, based on 21 critics, and reports that the film has "generally favorable" reviews. Audiences polled by
CinemaScore gave the film an average grade of "B+" on a scale of A+ to F.
Janet Maslin of
The New York Times called it "a sharp, clever encounter, overturning all manner of genre cliches and viewer expectations... and the best crime movie in a long while, is full of similar surprises as it leads Mr. Pacino and Johnny Depp through a fine-tuned tale of deception."
Entertainment Weekly called it a "wonderfully dense, clever, and moving gangland thriller", and gave it an A−, also praising
Paul Attanasio's screenplay as "a rich, satisfying gumbo of back stabbing, shady business maneuvers, and mayhem".
Siskel and Ebert gave
Donnie Brasco "
two thumbs up" on their syndicated television series. In his print review,
Roger Ebert of the
Chicago Sun-Times gave it three-and-a-half stars out of four. He wrote that "the film had one of Pacino's best performances", and that
Donnie Brasco was rare in depicting "two men who grow to love each other, within the framework of a teacher-student relationship".
Peter Travers of
Rolling Stone praised the film, saying that "
Donnie Brasco is one terrific movie".
Mick LaSalle of the
San Francisco Chronicle gave the film a positive review and said that
Donnie Brasco was "a first class Mafia thriller". Critics especially praised Depp's performance. A
Salon.com review hailed Depp's performance as "sensational".
New York Magazine called Depp "graceful" and found his acting highly believable. "We can believe that the mob might take him for a tough, ambitious young hood—he has the wariness and the self-confidence that creates an aura." According to Charles Taylor in his review for
Salon.com, both Pacino and Depp are "in top form"; in remarking on Pacino's frequent collaborations with younger actors (
Sean Penn,
John Cusack), Taylor called
Donnie Brasco "the best in this series of duets" and singled out Pacino's skills: "His final scene is all the more heartbreaking for the economy of gesture and feeling he brings it. It's an exit that does justice to both the actor and the role, and it leaves an ache in the movie." == See also ==