Beck co-directed the Living Theatre until his death. The group's primary influence was
Antonin Artaud, who espoused the
Theatre of Cruelty, which was supposed to shock the audience out of complacency. This took different forms. In one example, from
Jack Gelber's
The Connection (1959), a drama about drug addiction, actors playing
junkies wandered the audience demanding money for a fix. The Living Theatre moved out of New York in 1964, after the
Internal Revenue Service (IRS) shut it down when Beck failed to pay $23,000 in back taxes. After a sensational trial in which Beck and Malina
represented themselves, they were found guilty by a jury. Beck's philosophy of theatre carried over into his life. He once said "We insisted on experimentation that was an image for a changing society. If one can experiment in theatre, one can experiment in life." He was indicted a dozen times on three continents for charges such as disorderly conduct, indecent exposure, possession of narcotics, and failure to participate in a civil defense drill. Besides his theatre work, Beck published several volumes of poetry reflecting his
anarchist beliefs; two non-fiction books:
The Life of the Theatre and
Theandric; and made several film appearances, with small roles in
Oedipus Rex (1967),
Love and Anger (1969),
The Cotton Club (1984), and
9½ Weeks (1986). He had a role as the main antagonist in
Poltergeist II: The Other Side (1986), which was released posthumously. Beck also appeared in an episode of
Miami Vice that aired 13 days after his death. == Personal life ==