On
Rotten Tomatoes, 77% of 26 reviews are positive for the miniseries. The critics' consensus on the website states: "While this satire's scattershot aim at thorny topics doesn't hit every target, Hugh Bonneville's expertly hapless performance makes it a squirmy pleasure to watch." On
Metacritic, it received an average score of 61 based on 13 critics reviews. Amber Dowling of
The Globe and Mail writes that the miniseries "makes the case for character studies, deeply examining characters as they are in the moment, and proves that, sometimes, it's more compelling to present people at their core and allow viewers to draw their own conclusions". In
The Times, Carol Midgley describes the "claustrophobic intensity" of the third episode as "excruciating. Mostly in a good way". Writing for
The A.V. Club, Tim Lowery stated that the "tonal shift […] almost lands. But the workplace-comedy trappings and quips that can make this watch enjoyable […] often feel at odds with the serious things Moffat is trying to say and portray. And it’s hard not to walk away thinking that another British miniseries, last year’s
A Very Royal Scandal […] not only got there first—but did it better." Gillan was nominated for Best Actress (film and television) at the
2025 British Academy Scotland Awards. == References ==