In 2007—using a video camera gifted to him by the drag king and performance artist
Shelly Mars, and acting upon the advice of drag queen
Flawless Sabrina—Jeffreys began using video to capture and preserve drag performances. Archivist Robert Coddington introduced Jeffreys to the videos of
Nelson Sullivan, and Jeffreys "immediately recognized the power of Sullivan’s videos to capture and preserve past performances," according to an article in
Vice. “I don’t know if that’s what Nelson was trying to do, what his intent was, but to some extent, that’s what it’s become. It’s a gift to the future, capturing the past and the moment. This is the moment I’m in right now, let’s point and shoot and see what happens," Jeffreys said. In 2007, Jeffreys began producing
Drag Show Video Verite, a multi-platform project to preserve and screen the moving image record of New York City's past and current drag scenes. All premiered the New York Public Library for the Performing Arts at Lincoln Center, with additional screenings at La Mama, Dixon Place and Judson Memorial Church.
Time Out called
Drag Show Video Verite “a beloved, nostalgic Pride month tradition: a video mash-up of scenes from NYC’s drag world that spans more than 50 years.” In a 2009 interview, Jeffreys told
The Guardian the contents of
Drag Show Video Verite represented only a fraction of his moving image drag archive, which he estimated at “hundreds of hours, possibly thousands.” He continues videotaping to this day. Jeffreys’ video projects have been awarded funding from the Lower Manhattan Cultural Council and the Jerome Foundation.
Uncle Bob about the life and murder of
Robert Opel and
Exposed, an award-winning documentary by
Beth B. focused on the neo-burlesque scene. Jeffreys produced and directed the 2009 short film
Dorian: A Picture, about the 1950-60s female impersonator Dorian Wayne. It was selected for screening at numerous festivals, including NewFest, the London Lesbian and Gay Film Festival, the Southwest Lesbian and Gay Film Festival. ==Dramaturg==