The Monthly Film Bulletin wrote: "We have seen all this before, many times, but Ken Hughes brings fresh wit to a hackneyed theme and drives the whole thing along in dashing style. The result is entertaining enough for those who like their comedy in the worst possible taste. Each of Nick's marriages is treated as a sort of revue sketch, in flashback, and each of the ladies (Anna Quayle, Zsa Zsa Gabor and Fenella Fielding) does her turn with enjoyable verve. Anna Quayle's ascent in a puff of blue smoke from her grotesque
Art Nouveau drawing room is a collector's piece of its kind, and as long as the note is relentlessly farcical all is well. But it all turns a little slow and sour towards the end, largely because Rosanna Schiaffino, for all her sparkling beauty, is no comedienne. Fortunately the film recovers in the last in few minutes, when Hughes shows the happy couple in a burlesque of the familiar all-screaming Italian drama, yelling at each other in a poverty-stricken hovel all squalling brats and steaming spaghetti."
The Los Angeles Times called it "cleverly sketched".
Filmink called it "a frantic farce". ==References==