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Dunham Massey Hall

Dunham Massey Hall, usually known simply as Dunham Massey, is an English country house in the parish of Dunham Massey, in the district of Trafford, Greater Manchester, England. During World War I, it was temporarily used as the Stamford Military Hospital.

History
'Old' Sir George Booth, 1st Baronet built the first mansion on the site in the early 17th-century. However, the house remained uncompleted by the time of his death and was only completed after the Civil War in the later 17th century by his grandson, 'Young' George Booth, 1st Baron Delamer. He inherited family debts and spent a considerable amount of energy investing in the future of Dunham Massey Hall; he planted trees to sell for timber and worked to recoup unpaid debts. George Booth, 2nd Earl of Warrington died in 1758 and, in a move remarkable for the eighteenth century, ensured that his only child, a daughter, Lady Mary Booth (1704–72), would inherit and control the estate. Their son, George Harry Grey, 5th Earl of Stamford and Warrington, inherited both Dunham Massey and Enville Hall, along with other properties. In the 1780s, he commissioned a remodelling of the Great Gallery and the south front of the house by architect John Hope. He died in 1819 and his son, also George Harry Grey, but the 6th Earl of Stamford and Warrington inherited the estate and began to introduce modernisations to the house. The 7th Earl died in 1883 and his cousin, the Reverend Harry Grey inherited the title of 8th Earl of Stamford, but never lived at Dunham. At the time of his inheritance, he was living in South Africa, having left England due to alcohol and gambling addictions. His third wife, Martha Grey, Countess of Stamford, a Khoekhoe woman, was the daughter of a freed, formerly enslaved, woman. She and the 8th Earl married in 1880. They had two children already, John and Frances, and their third, Mary, was born after they married. Despite their marriage being recognised by South African law at the time, it was not recognised under English law. This meant that, at the 8th Earl's death in 1890, his son, John, could not inherit and the title passed to William Grey, 9th Earl of Stamford, who was the nephew of the 7th Earl. He inherited the title, but no assets, until the death of the 7th Countess, Catherine Cox, in 1905. From 1 March 2014 until 11 November 2016, the main ward at Stamford Military Hospital (known as "Baghdad"), along with the operating theatre, nurses' station and the recreation room were recreated to commemorate the 100-year anniversary of the start of World War I, along with actors playing the role of characters who worked, lived and recovered at the hospital. == Collections ==
Collections
carving Dunham Massey contains one of the most significant collections of Huguenot silver, largely collected by George Booth, 2nd Earl of Warrington. During his 64 years at Dunham Massey, he accumulated over 1000 pieces of silver. One sixth of the original plate remains at Dunham Massey, with much of the collection being dispersed by the Countess of Stamford and Warrington (who died in 1905), widow of George Harry Grey, 7th Earl of Stamford and Warrington (died 1883). The 10th Earl, Roger Grey, expended much money and effort in returning family heirlooms originally from Dunham Massey. There is a fine collection of oil paintings and watercolours. The relief wood-carving of the Crucifixion by Grinling Gibbons, which hangs in the Library, is the earliest known work by the 17th-century wood carver. It is on this piece that he was working when he was discovered by John Evelyn in 1671. A group of paintings of the house and estate, known as the Harris Views, showing the 1730s mansion, were described by Simon Jenkins as "the most remarkable topographical survey of any country house and its grounds to remain in situ." There is also one painting is from 1690 by Adrien van Diest showing the earlier Elizabethan mansion. Another significant work in the art collection is an Allegory of Time by Guercino. formerly at the front of house A life-sized statue of an exoticised black man wearing only a skirt of feathers, in a kneeling position and holding a sundial above his head, was previously situated at the front of the house. It is believed to have originally been a personification of Africa, produced by the sculptor Andries Carpentière in after a figure by John van Nost for King William III's privy garden at Hampton Court. In June 2020, after numerous calls were made for the removal of statues in Britain with links to the slave trade in the wake of the murder of George Floyd, the National Trust said that the decision had been made to move the statue. == Other buildings ==
Other buildings
The chapel has oak panelling, pews and reredos. The double courtyard house is built of Flemish bond brick, stone dressings and a roof of Westmorland and Welsh slate. The oldest surviving building on the Dunham Estate is the watermill, possibly dating back to 1616. Originally built as a corn mill, it was later converted to a saw mill. It is Grade II* listed. == Gardens and park ==
Gardens and park
It has historic formal gardens and a deer park. The park and gardens are listed Grade II* on the Register of Historic Parks and Gardens. The park is also a Site of Special Scientific Interest, based on the significance of its mature timber fauna. The 300 acre deer park at Dunham Massey dates back to medieval times. == Listing and ownership ==
Listing and ownership
The stately home was designated a Grade I listed building on 5 March 1959. making it one of the National Trust's top ten most popular sites; it was also the only site whose visitor figures increased during the COVID-19 pandemic. ==See also==
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