and
Adonis, , are at the
Louvre. The category "dying-and-rising-god" was debated throughout the 20th century, and most modern scholars questioned its ubiquity in the world's mythologies. By the end of the 20th century the scholarly consensus was that most of the gods Frazer listed as "dying-and-rising" only died and did not rise. Against this view, Mettinger (2001) affirms that many of the gods of the mystery religions do indeed die, descend to the underworld, are lamented and retrieved by a woman and restored to life. One of the leading scholars in the deconstruction of Frazer's "dying-and-rising god" category was
Jonathan Z. Smith, whose 1969 dissertation discusses Frazer's
Golden Bough, and who in
Mircea Eliade's 1987
Encyclopedia of religion wrote the "Dying and rising gods" entry, where he dismisses the category as "largely a misnomer based on imaginative reconstructions and exceedingly late or highly ambiguous texts", suggesting a more detailed categorisation into "dying gods" and "disappearing gods", arguing that before Christianity, the two categories were distinct and gods who "died" did not return, and those who returned never truly "died". Smith gave a more detailed account of his views specifically on the question of parallels to Christianity in
Drudgery Divine (1990). Smith's 1987 article was widely received, and during the 1990s, scholarly consensus seemed to shift towards his rejection of the concept as oversimplified, although it continued to be invoked by scholars writing about ancient Near Eastern mythology. Beginning with an overview of the
Athenian ritual of growing and withering herb gardens at the
Adonis festival, in his book
The Gardens of Adonis Marcel Detienne suggests that rather than being a stand-in for crops in general (and therefore the cycle of death and rebirth), these herbs (and Adonis) were part of a complex of associations in the Greek mind that centered on spices. These associations included seduction, trickery, gourmandizing, and the anxieties of childbirth. A main criticism charges the group of analogies with
reductionism, in that it subsumes a range of disparate myths under a single category and ignores important distinctions. Detienne argues that it risks making Christianity the standard by which all religion is judged, since death and resurrection are more central to Christianity than many other faiths.
Dag Øistein Endsjø, a scholar of religion, points out how a number of those often defined as dying-and-rising-deities, such as a number of figures in
ancient Greek religion, actually died as ordinary mortals, only to become gods of various stature after they were resurrected from the dead. Not dying as gods, they thus defy the definition of "dying-and-rising-gods".
Tryggve Mettinger supports the category of dying and rising gods, and stated in 2001 that there was a scholarly consensus that the category is inappropriate. As of 2009, the
Encyclopedia of Psychology and Religion summarizes the current scholarly consensus as ambiguous, with some scholars rejecting Frazer's "broad universalist category" preferring to emphasize the differences between the various traditions, but others continue to view the category as applicable. In the 2010s, Paola Corrente conducted an extensive survey of the status of the dying and rising god category. Though she agrees that much of Frazer's specific evidence was faulty, she argues that the category as a whole is valid, though she suggests modifications to the specific criteria. Corrente specifically focuses her attention on several Near Eastern and Mesopotamian gods as examples which she argues have been largely ignored, both by Frazer (who would not have had access to most relevant texts) and his more recent critics. These examples include the goddess Inanna in Sumerian texts and Ba'al in Ugaritic texts, whose myths, Corrente argues, offer concrete examples of death and resurrection. Corrente also utilizes the example of Dionysus, whose connection to the category is more complicated, but has still been largely ignored or mischaracterized by other scholars including Frazer himself in her view. ==See also==