Meanwhile, his pen was never idle. He wrote much on the interpretation of scripture, endeavouring to combine and popularise, in no superficial fashion, the results attained by labourers in special sections of the subject. He contributed to the commentaries known respectively as the
Cambridge Bible, the ''Speaker's Commentary,
the commentary edited by Charles Ellicott, and the Bible Educator
(serial from 1873 to 1875). He also wrote Biblical Studies
(1870, 3rd edit. 1885), St. Paul in Asia
(1877), a Popular Exposition of the Epistles to the Seven Churches
(1877 and 1879), Movements in Religious Thought: Romanism, Protestantism, Agnosticism
(1879), and Theology and Life
(1884). His most remarkable theological work was The Spirits in Prison, and other studies on Life after Death'' (1884 and 1885). The book comprises a review of previous teaching on the subject of
eschatology. His characteristic sympathy with 'the larger hope' is moderated throughout by a characteristic caution. He had passed beyond the influence of Maurice, and, though his loyal admiration for his earlier teacher remained unchanged, he had rejected his conclusions. In 1888, he issued a little work on
Wells Cathedral and its Deans, and his
Life of Bishop Ken appeared in the same year. Though diffuse, the book has something of the charm of Walton's
Lives, and breathes the still air of a cathedral. Its main defect is the occasional intrusion of conjectural or 'ideal' biography. Plumptre published several volumes of verse. He had a keen perception of literary excellence, unappeasable ambition, and unwearied industry; but his gifts were hardly sufficient to insure him a place among the poets.
Lazarus and other poems appeared in 1864, 8vo (3rd edit. 1868);
Master and scholar, which was warmly praised in the
Westminster Review, in 1866, 8vo; and
Things New and Old in 1884, 8vo. Several of Plumptre's hymns have been admitted into popular collections, and satisfy their not very exacting requirements. He also translated with much success the plays of
Sophocles (1865) and of
Æschylus (1868), and thus gave readers ignorant of Greek some adequate conception of the masterpieces of Attic drama. For twenty years he studied
Dante, and his English version of Dante's work appeared as
The Divina Commedia and Canzoniere of Dante Alighieri; with Biographical Introduction, Notes and Essays (vol. i. 1886, 8vo, vol. ii. 1887). ==Notes==