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F minor

F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. The F natural minor scale is

Scale degree chords
The scale degree chords of F minor are: • Tonic – F minor • SupertonicG diminishedMediantA-flat majorSubdominantB-flat minorDominantC minorSubmediantD-flat majorSubtonicE-flat major == Music in F minor ==
Music in F minor
Famous pieces in the key of F minor include Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, La Passione and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliqueness." Hermann von Helmholtz once described F minor as harrowing and melancholy. Christian Schubart described this key as "Deep depression, funereal lament, groans of misery and longing for the grave". Notable compositionsGiovanni Battista PergolesiStabat MaterAntonio Vivaldi • "Winter" from The Four Seasons, RV 297 • Johann Sebastian BachHarpsichord Concerto No. 5, BWV 1056 • "Ich ruf zu dir, Herr Jesu Christ", BWV 639 • Joseph HaydnSymphony No. 49 ("La Passione") • Variations in F minorWolfgang Amadeus MozartAria "L'ho perduta, me meschina" from The Marriage of Figaro, act 4 • Adagio and Allegro in F minor for a mechanical organ, K. 594Jan Ladislav DussekPiano Sonata No. 28 in F minor "L'invocation", Op. 77Ludwig van BeethovenEgmont, Op. 84: Overture in F minor • Piano Sonata No. 1, Op. 2/1 • Piano Sonata No. 23 (Appassionata), Op. 57 • String Quartet No. 11 "Serioso", Op. 95 • Felix MendelssohnString Quartet No. 6Organ Sonata, Op. 65, No. 1Carl Maria von WeberClarinet Concerto No. 1Konzertstück in F minorFrédéric ChopinBallade No. 4, Op. 52 • Fantaisie in F minor, Op. 49Trois nouvelles études, No. 1 • Étude Op. 10, No. 9Étude Op. 25, No. 2 "Bees"Prelude Op. 28, No. 18 "Suicide"Piano Concerto No. 2, Op. 21 • Nocturne in F minor, Op. 55 No. 1Mazurka, Op. 63 No. 2Mazurka, Op. 68 No. 4 (Posthumous)Charles-Valentin AlkanPrelude, Op. 31, No. 2 (Assez lentement)Symphony for Solo Piano, 2nd movement: Marche funèbreFranz LisztFunéraillesTranscendental Étude No. 10 "Appassionata"Trois études de concert, No. 2 "La leggierezza"Franz SchubertFantasia in F minorImpromptu No. 1, Op. 142 • Impromptu No. 4, Op. 142 • Robert SchumannPiano Sonata No. 3Johannes BrahmsPiano Quintet, Op. 34 • Piano Sonata No. 3, Op. 5 • Pyotr Ilyich TchaikovskySymphony No. 4The TempestAnton BrucknerMass No. 3Alexander BorodinString QuintetPaul Dukas • ''The Sorcerer's Apprentice (L'apprenti sorcier'') • Ralph Vaughan WilliamsEnglish Folk SongsSymphony No. 4Tuba Concerto in F minorDmitri ShostakovichSymphony No. 1String Quartet No. 11, Op. 122 • Max RegerPiano Concerto in F minor, Op. 114 • Johann PachelbelChaconne in F minor == E-sharp minor ==
E-sharp minor
{{Infobox scale { \magnifyStaff #3/2 \omit Score.TimeSignature \set Staff.keyAlterations = #`((3 . ,DOUBLE-SHARP)(0 . ,SHARP)(4 . ,SHARP)(1 . ,SHARP)(-2 . ,SHARP)(2 . ,SHARP)(-1 . ,SHARP)) s^"" } { \magnifyStaff #3/2 \omit Score.TimeSignature \set Staff.keyAlterations = #`((3 . ,SHARP)(0 . ,SHARP)(4 . ,SHARP)(1 . ,SHARP)(-2 . ,SHARP)(2 . ,SHARP)(-1 . ,SHARP)(3 . ,DOUBLE-SHARP)) s^"" } }} E-sharp minor is a key based on the musical note E, consisting of the pitches E♯, F, G♯, A♯, B♯, C♯ and D♯. Its key signature has eight sharps, requiring one double sharp and six single sharps. Because E-sharp minor requires eight sharps, including the F, it is almost always notated as its enharmonic equivalent of F minor, with four flats. The E-sharp natural minor scale is: {{block indent| \header { tagline = ##f } scale = \relative f' { \key eis \minor \omit Score.TimeSignature eis^"E♯ natural minor scale" fisis gis ais bis cis dis eis dis cis bis ais gis fisis eis2 \clef F \key eis \minor } \score { { > } \layout { } \midi { } } }} Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-sharp harmonic minor and melodic minor scales are: {{block indent| \header { tagline = ##f } scale = \relative f' { \key eis \minor \omit Score.TimeSignature eis^"E♯ harmonic minor scale" fisis gis ais bis cis disis eis disis! cis bis ais gis fisis eis2 } \score { { > } \layout { } \midi { } } }} {{block indent| \header { tagline = ##f } scale = \relative f' { \accidentalStyle modern \key eis \minor \omit Score.TimeSignature eis^"E♯ melodic minor scale" fisis gis ais bis cisis disis eis dis? cis? bis ais gis fisis eis2 } \score { { > } \layout { } \midi { } } }} The scale-degree chords of E-sharp minor are: • Tonic – E-sharp minor • SupertonicF-double-sharp diminishedMediantG-sharp majorSubdominantA-sharp minorDominantB-sharp minorSubmediantC-sharp majorSubtonicD-sharp major Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue in C-sharp major, BWV 848. (E-sharp minor is the mediant minor key of C-sharp major.) In tuning systems where the number of notes per octave is not a multiple of 12, notes such as E and F are not enharmonically equivalent, nor are the corresponding key signatures. These tunings can produce keys with no analogue in 12-tone equal temperament, which can require double sharps, double flats, or microtonal alterations in key signatures. For example, the key of E-sharp minor, with eight sharps, is equivalent to F minor in 12-tone equal temperament, but in 19-tone equal temperament, it is equivalent to F-flat minor instead, with 11 flats. == See also ==
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