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Eberhard and Phyllis Kronhausen

Phyllis and Eberhard Kronhausen were a husband-and-wife team of American sexologists, mainly active in the 1960s and 1970s. They wrote a number of books on sexuality and eroticism, and they also amassed a collection of erotic art, which traveled around Europe in 1968 as the "First International Exhibition of Erotic Art" and then found a home in San Francisco as the Museum of Erotic Art (1973-1975).

Biography
Eberhard Kronhausen was born on September 12, 1915. He was brought up in Europe and “had firsthand experience of Nazi Germany”. Phyllis was born on January 26, 1929 in Minnesota. The Kronhausens met in 1954 at the University of Minnesota, where Phyllis, then 25, was an undergraduate studying business, and Eberhard, at the relatively late age of 39, was getting a Masters in psychology. Erotic art collection After publishing Pornography and the law, the Kronhausens began to acquire a collection of erotic art. This brought them to Europe, where they were active during the 1960s. As they reminisced in 1978: It so happened that from 1960 on we came to spend more and more time in Europe, first on psychological consultation and later because we felt that we had both been spending too much time in the same cultural environment and needed a change for our own personal development. In Europe we collected more erotic art, our most notable discoveries from the beginning of that period being the Dutch painter Melle in Amsterdam, the German painter Hans Bellmer, the Trieste-born artist Leonor Fini, and the French surrealist André Masson in Paris. [...] We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when Hans Bellmer one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs. Their books were translated into German and French starting in the late 1960s. They organized the “First International Exhibition of Erotic Art" at a public museum in Lund, Sweden in 1968 – overcoming a lot of institutional resistance. They even succeeded in having the public poster for the show feature a graphic representation of sexual intercourse. "What poor, sick, twisted guilt-ridden, neurotic mind first conjured up a sexless Garden of Eden?" the article begins. The Kronhausens then argue that the Bible has been misunderstood, and that the story of Adam and Eve is not about the discovery of sin, but about the loss of innocent enjoyment of sex - "and with it the appearance of false shame where none is called for, and needless guilt where no evil has been committed." The paintings that illustrate the article were said by the Kronhausens to be by an anonymous artist and dated to 1850-1900, but could well be 1970s imitations of 19th century art, and are not necessarily about the Garden of Eden. On March 31, 1979 the Kronhausens sold their erotic art collection at an auction in New York City. New-age period One reason for the sale was that, starting in the late 1970s, the Kronhausens had turned to New Age spirituality. They were living at that time in California, and came into contact with the teachings of the Indian-born theosophist and spiritual director Jiddu Krishnamurti, at his American headquarters in the New Age hotspot of Ojai, near Los Angeles. They watched many of Krishnamurti's talks at the video library there. At the turn of the millennium they became involved in Buddhist philosophy and psychology. They attempted to apply the result of these studies to the fields of history, politics, and psychotherapy in their last book, Staying Sane in a Crazy World (2008) – a print on demand book sold by Amazon.com. Eberhard died at the age of 94 on December 5, 2009. Phyllis died at the age of 83 on April 16, 2012. ==Trivia==
Trivia
Eberhard Kronhausen was thanked in the album "Freak Out!" (1966) by Frank Zappa and the Mothers of Invention. ==Quotes==
Quotes
• "Woman [is] the untouchable saint who through her spiritual purity raises and ennobles the grosser, baser male". • "What modern women seem to want is not just more sex, but better sex. Together with increased aggressiveness in mature women, there appears to be a trend toward demanding, and if necessary, seeking, better sexual performance from male partners". • "One should not... be surprised to hear that failure to achieve sexual happiness is likely to have an adverse effect on the woman’s total relationship with her partner and may lead to the breakdown of their relationship". ==Bibliography==
Filmography
Films directed by Eberhard and Phyllis KronhausenPsychomontage (1962). An experimental short film shot in 16 mm., consisting of rapid cuts between black and white clips of war, industry, animal mating, and human sexuality. Screened at Cinema 16, the New York art house founded by Amos Vogel. • Freiheit für die Liebe ["Freedom to Love"] (Germany, 1970) “A film about the irrationality of common sexual prejudices and traditional sex laws, Freedom to Love advances the point of view that sexual freedom is not inimical to the interests of society.” (mubi.com) • Hvorfor Gør De Det? [“Why do they do it?”] (Denmark, 1971) “A plea for sexual tolerance in the form of a factual, non-moralistic portrayal of unorthodox sex acts.” (mubi.com) • Porno Pop (Switzerland, Denmark, USA, 1971) • Sex-cirkusse [“Sex circuses"], a.k.a. The hottest show in town (Denmark, 1974) “A circus on the brink of bankruptcy comes up with a new show mixing traditional circus acts with sex.” (imdb.com) Appearances • Phyllis Kronhausen appeared twice on television interviews with the West Coast TV personality Paul Coates, probably around 1960. "On these programs, for the first time in America, some Oriental and Western erotic art was shown on that mass medium—to be sure, with some of the most 'risqué' portions of the pictures blocked out by strips of paper.” (Eberhard and Phyllis Kronhausen, Introduction, The Complete Book of Erotic Art, p. 4.) • The Kronhausens were interviewed in the Danish film Det Kære Legetøj [“The Dear Toys”], a.k.a. Sex and the Law, a.k.a. Danish Blue (1967) – not to be confused with Danish & Blue (1970). The film is described as “a combined fiction and documentary, the goal of the movie is to help legalize porn. When the movie was made however it was still illegal to produce and publish porn in Denmark.” (vintage-erotica-forum.com) ==References==
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