in 1906-1907 The strange appearance of
Edaphosaurus with its distinctive dorsal sail composed of tall spines studded with bony knobs has made it a popular subject for scientific reconstructions and paleoart in museums and in books. However, confusion over the animal's skull dating back to Cope's ideas about "
Naosaurus" and over other details led to a long history of scientific and artistic errors that lasted in some cases into the 1940s. The correct scientific name
Edaphosaurus (rather than "
Naosaurus") also was not used consistently until the 1940s. At the urging of paleontologist
Henry Fairfield Osborn, American paleoartist
Charles R. Knight consulted with Edward Drinker Cope in person in early 1897 about a set of illustrations of prehistoric reptiles, one of Cope's specialties. Shortly after, Knight reconstructed
Edaphosaurus (as "
Naosaurus") with a
Dimetrodon skull that Cope had previously referred to that genus in error. This painting was commissioned for the American Museum of Natural History in 1897 and was reprinted for Cope's obituary in the November 1898 issue of
The Century Magazine. Knight later created a more accurate revised version of the painting that turned "
Naosaurus" into
Dimetrodon, with a corrected head and teeth, and a sail with smooth, unbarred spines. He also turned the
Dimetrodon in the original background into
Edaphosaurus (still called "
Naosaurus" at the time) with a different head and a sail with crossbars. German paleontologist Otto Jaekel argued in 1905 that there was no direct scientific evidence that the tall dorsal spines on
Dimetrodon and "
Naosaurus" were bound in a web of skin like a sail or fin (as portrayed by Cope, Knight, and others) and proposed instead that the long bony projections served as an array of separated spines to protect the animals, which allegedly could roll up like hedgehogs. Spiny-backed reconstructions of "
Naosaurus" (with a large carnivore's head) appeared in different German sources, including as a tile mosaic on the façade of the
Aquarium Berlin in 1913 (destroyed in World War II and later recreated). Nearly complete specimens of
Dimetrodon and
Edaphosaurus (as "
Naosaurus") had not been found yet by the first decade of the 20th century when American paleontologist E.C. Case produced his major monograph on the Pelycosauria in 1907. The main part of the "
Naosaurus" skeleton was a set of dorsal vertebrae with high spines (AMNH 4015) from a partial
Edaphosaurus pogonias specimen found by the fossil collector
Charles H. Sternberg in Hog Creek, Texas in 1896. Because of the still incomplete knowledge of
Edaphosaurus at the time, the rest of the mount was a "conjectural" composite of various real fossil bones collected in different places with other parts recreated in plaster, including a skull (AMNH 4081) based on
Dimetrodon (per E.D. Cope, and despite Case's already expressed doubts about such a skull for "
Naosaurus") and a hypothetical short tail (per Case). As "
Naosaurus" was thought to be a close relative of
Dimetrodon rather than
Edaphosaurus, slender limbs (AMNH 4057) probably belonging to
Dimetrodon dollovianus were also mounted with this composite specimen, rather than the correct, stockier limbs now known for
Edaphosaurus. The big
Dimetrodon-derived skull on the museum skeleton was later replaced with one modeled on
Edaphosaurus cruciger, based on more updated research. The fossil
Edaphosaurus pogonias sail spines (AMNH 4015) were remounted in the 1990s with a recreated skull (but without other skeletal parts) in a metal armature shaped in the outline of the entire animal as part of the new Hall of Primitive Mammals, which opened at the American Museum of Natural History in 1996 after major renovations. Charles R. Knight had produced a small sculpture of a living "
Naosaurus" in 1907 based on the speculative American Museum of Natural History mount. The model retained a
Dimetrodon-like flesh-eater's head but differed from his earlier 1897 painted reconstruction in having a curved shape to the sail and a short tail. The May 4, 1907 issue of
Scientific American featured a cover painting by Knight depicting a revised version of "
Naosaurus" and an article (pages 368 and 370) entitled "
Naosaurus: a Fossil Wonder", which described the restoration of the composite skeleton at the American Museum of Natural History and the creation of Knight's model, both under Osborn's direction. The inaccuracy of much of Osborn's composite reconstruction of "
Naosaurus" was detailed by E.C. Case in 1914 with a revised description of
Edaphosaurus based on additional fossil material, including large parts of a skeleton with limb bones and a crushed skull, which Case had discovered in Archer County, Texas, in 1912 and brought to the
University of Michigan. His reconstruction of
Edaphosaurus cruciger, as shown in a drawing, had a much smaller head (with teeth for crushing mollusks or plants), more robust limbs, and a somewhat longer tail than Osborn's carnivorous "
Naosaurus" mount. Case also confirmed that
Edaphosaurus was the valid name rather than "
Naosaurus". Despite his corrections, the name "
Naosaurus", and even the outdated and incorrect
Dimetrodon-like head, continued to appear in some popular sources. In 1926, the
Field Museum of Natural History in Chicago hired Charles R. Knight to create a series of 28 murals (worked on from 1926 through 1930) to depict life reconstructions of prehistoric animals in the different sections of the new fossil hall of the museum for
Life Over Time. One of the large murals depicted the Permian Period, with a group of five
Dimetrodons, and a single
Edaphosaurus, along with a group of
Casea, basking in the sun surrounded by a large marsh. The Permian mural was finished in 1930. Paleontologist
Elmer Riggs described the new artistic addition in the March 1931 issue of the
Field Museum News and used the name "
Naosaurus" for
Edaphosaurus, described as "inoffensive, and given to feeding on plants". Knight's 1930 depiction of
Edaphosaurus, apart from its shortened tail, was much more accurate than his earlier images of "
Naosaurus" for the American Museum of Natural History, incorporating a small head and a curved profile to the sail spines. Artist
Rudolph Zallinger depicted
Edaphosaurus in a more scientifically updated form (with a long tail) alongside
Dimetrodon and
Sphenacodon to represent the
Permian period in his famous
The Age of Reptiles mural (1943-1947) at the
Yale Peabody Museum. The mural was based on a smaller model version of the painting in egg tempera that later appeared in
The World We Live In series published in
Life magazine in 1952 to 1954. The September 7, 1953 issue of
Life presented
The Age of Reptiles in reverse image (earliest to latest, left to right) of the mural order as a double-sided foldout page in which
Edaphosaurus appeared in an Early Permian landscape with plants and animals of the period. The magazine series was edited into a popular book in 1955 that also had a foldout page for Zallinger's
The Age of Reptiles artwork. The Czech illustrator and paleoartist
Zdeněk Burian created a number of vivid paintings of
Edaphosaurus set in Paleozoic landscapes. (The choice to portray
Edaphosaurus was based in part on edaphosaurid fossils found in native Carboniferous rocks in what is now the Czech Republic, originally identified as "
Naosaurus" and now called
Bohemiclavulus.) These images appeared in the series of popular general audience books on prehistoric animals that Burian produced in collaboration with Czech paleontologists
Josef Augusta and
Zdeněk Špinar beginning in the 1930s and on into the 1970s. Some of the books were translated into other languages, including English. Burian's painting from 1941 restored
Edaphosaurus with a large carnivorous head and short tail, reflecting an outdated "
Naosaurus" concept of the animal. The artwork was featured in Josef Augusta's
Divy prasvěta (
Wonders of the Prehistoric World), published during
World War II in biweekly pamphlet form between 1941 and 1942, and then republished as a full book after the war. Burian subsequently corrected his 1941
Edaphosaurus reconstruction in a painting with the more accurate small head of a plant-eater and a long tail, the version of
Edaphosaurus that appeared in later translated editions of Burian's books with Augusta such as
Prehistoric Animals (1956). Another painting of
Edaphosaurus by Burian appeared on the cover of the 1968 third edition of the juvenile popular science book
Ztracený svět (
The Lost World), also written by Augusta. The book
Life Before Man (1972), written by Zdeněk Špinar, included an additional depiction of
Edaphosaurus by Burian.
Disney incorporated a pair of animatronic
Edaphosaurus in the Ford Magic Skyway attraction for the
1964 New York World's Fair, which would go on to be relocated to
Disneyland's Primeval World Diorama along the
Disneyland Railroad and replicated for
Epcot's
Universe of Energy attraction and
Tokyo Disneyland's
Western River Railroad.
Edaphosaurus also appear in the 2005 documentary series
Walking With Monsters, specifically the second episode "Reptile's Beginnings", where a herd is attacked by a female
Dimetrodon. ==See also==