According to Robbe-Grillet, his imagination lacked colours and he was disinclined to make films in colour. All his films prior to
Eden and After had been shot in black-and-white. However, after the commercial underperformance of
The Man Who Lies (1968), he considered to quit filmmaking because he felt making films in black-and-white was no longer viable in the industry. There was no detailed script for
Eden and After. Robbe-Grillet created a story using the system Austrian-American composer
Arnold Schoenberg used in his version of the
twelve-tone technique, constructing the film's plot with ten sets of twelve themes arranged in a different order for each set. Robbe-Grillet described the result as a mixture of ''
Alice's Adventures in Wonderland'' and
Marquis de Sade's
Justine, with certain components taken from the
chivalric romance. With no written details to rely on, Robbe-Grillet had to discuss each shot and scene at depth with the film's cinematographer , which granted Luther considerable creative control over the film. Most of the actors Robbe-Grillet hired for the film were obscure since well-established ones in general would not work for a film project that had no proper script. The hired actors had been informed very little about the film before the production began, only that it was to be shot in
Czechoslovakia and
Djerba, a Tunisian island. ==References==