Perceptions of Character
Critical responses to Edward's character have varied. Scholars and critics have criticized him as unlikeable and not worthy of being an Austen hero. He is often described in negative terms, such as "dull," "timid," "dishonest," and "stiff." Several film adaptations have altered his portrayal to make his character more enjoyable or emphasize more appealing qualities. He feels the pressure of his family’s desires for him, but makes no move to achieve those, either. Following this, he moves to a phase of "compulsory action” as his engagement with Lucy is revealed and he has to make some choices. His final phase is a fully active one, in which he is freed from his engagement to Lucy and rushes to propose to Elinor. Edward exhibits development by the end of the novel, but for a majority of it, he does not assert himself. This makes him more readily overlooked, according to Watson. While Edward’s character has been defended from the harshest critiques, his defenders still acknowledge his limitations. Though he functions as a hero, he is still a character who is often awkward or uncomfortable in interactions, and he achieves his hero status more through inaction than action (e.g., by keeping his engagement to Lucy). The variety of perceptions about Edward illustrate layers to his character. == Notable portrayals ==