A classical scholar and translator, Marsh edited five anthologies of
Georgian Poetry between 1912 and 1922, and he became
Rupert Brooke's
literary executor, editing his
Collected Poems in 1918. Later in life he published verse translations of
La Fontaine and
Horace, and a translation of
Eugène Fromentin's novel
Dominique. The sales of the first three
Georgian Poetry anthologies were impressive, ranging between 15,000 and 19,000 copies apiece. Marsh and the critic
J. C. Squire were the group's most important patrons, and it was in Marsh's London rooms that
Siegfried Sassoon and Rupert Brooke met for the only time, in June 1914. In 1931, he won a literary contest with a new stanza for
Paradise Lost, which repairs the omission of how "Adam and Eve Brush Their Teeth". In 1939, he produced his memoirs, titled
A Number of People. An edited collection of letters,
Ambrosia and Small Beer, appeared in 1964, recording two decades of correspondence with his friend and biographer,
Christopher Hassall. Marsh advised
Somerset Maugham about his writing between 1935 and 1953 with hundreds of pages of criticism. This is recorded in Ted Morgan's biography of Maugham (1980). Marsh was also a consistent collector and supporter of the works of the avant-garde artists
Mark Gertler,
Duncan Grant,
David Bomberg and
Paul Nash, all of whom were also associated with the
Bloomsbury Group. In addition to his work editing Churchill's writing, Marsh introduced Siegfried Sassoon to Churchill as a means of aiding the former's career. He was also a close friend and lover of
Ivor Novello. ==References==