Elizabeth de la Porte FRCM was a South African harpsichordist, Baroque tutor and pianist. She was renowned for bringing to her performances a rhythmic drive and excitement while allowing the instrument to sing, with extraordinary seamless and legato lines and expressive phrasing. During her performing career she made many public appearances, in the UK, continental Europe, and her native South Africa. She was acclaimed for a wide-ranging repertoire that included Böhm, Rameau, François Couperin, Scarlatti and Handel, but she was praised above all for her playing of J. S. Bach and his six Partitas for solo harpsichord. At her debut in March 1972 she was hailed by The Daily Telegraph as "A mind that both contemplates and acts on intimate stylistic knowledge." Her Bach recording for Saga was reviewed in Records & Recording by John Duarte who wrote, "It is in the Partita in B minor that her playing reaches the proportions of grandeur. There is much to admire in de la Porte's playing, but above all its through line and motivation; she plays as a good orator speaks, and it would be a poor student who could not add to a score the long phrasing marks implied by these performances. It is not just that she sees the end of long phrases and sections from their outset; she carries you in one sweep from beginning to end; it's the wholeness of the music that she communicates, and the joy of it."