Mrs. Fulhame's work began with her interest in finding a way of staining cloth with heavy metals under the influence of light. She originally considered calling her work
An Essay on the Art of making Cloths of Gold, Silver, and other Metals, by chymical processes, but considering the "imperfect state of the art", decided to select a title reflecting the broader implications of her experiments. The metal salts she examined included gold, silver, platinum, mercury, copper, and tin. As reducing agents, she experimented with hydrogen gas, phosphorus,
potassium sulfide,
hydrogen sulfide, phosphine, charcoal, and light. She discovered a number of chemical reactions by which metal salts could be reduced to pure metals. predating both
Jöns Jakob Berzelius and
Eduard Buchner. She proposed, and demonstrated through experiment, that many
oxidation reactions occur only in the presence of
water, that they directly involve water, and that water is regenerated and is detectable at the end of the reaction. Further, she proposed "recognisably modern mechanisms" Her research could be seen as a precursor to the work of
Jöns Jakob Berzelius, however Fulhame focused specifically on water rather than heavy metals. Further,
Eder, in 1905, and Schaaf consider her work on silver chemistry to be a landmark in the birth and early history of photography. Fulhame's work on the role of light sensitive chemicals (silver salts) on fabric, predates
Thomas Wedgwood's more famous
photogram trials of 1801. Fulhame did not, however, attempt to make "images" or representational shadow prints in the way Wedgwood did, but she did engage in photoreduction using light. ==Reception ==