Elizabeth Hawkins-Whitshed was born in Dublin on 26 June 1860 into an upper-class Anglo-Irish family. She was the daughter of Anne Alicia (
née Handcock) (1837–1908) and Captain Vincent Hawkins-Whitshed (1837–1871) (see
Hawkins-Whitshed baronets). Raised at Killincarrick House,
Greystones,
County Wicklow, in the south-east of Ireland, her father owned extensive lands across Dublin, Meath and Wicklow. Through her great-grandmother, she was connected to the aristocratic
Bentinck family, linking her to the
Dukes of Portland. Her childhood in the Irish countryside was reportedly idyllic, marked by a close bond with her mother. However, her father's death in 1871 left the eleven-year-old Elizabeth heir to Killincarrick House and nearly 2,000 acres of land. As she was still a minor, the estate was placed under the
guardianship of the
Lord Chancellor. '' painted by
James Tissot, 1870
Marriages and family At eighteen, Elizabeth entered London society and married her first husband, Captain
Frederick Burnaby (1842–1885), a British Army intelligence officer and adventurer, in 1879. Their son, Harry Burnaby, was born in 1880. The couple largely lived apart thereafter until Burnaby's death during the
Battle of Abu Klea in Sudan on 17 January 1885. During this period, Elizabeth sought treatment abroad for chronic respiratory issues.
Mountaineering and photography In 1881, Elizabeth relocated to Switzerland, where she began climbing during the 1882–1883 season. She gained renown for ascending peaks in long skirts, a practice documented in widely circulated photographs. A pivotal figure in alpine exploration, she achieved 20
first ascents—summiting previously unclimbed peaks—and authored seven mountaineering books. In 1907, she co-founded the
Ladies' Alpine Club, serving as its inaugural president.
Filmmaking career Under the name Mrs. Aubrey Le Blond (after her third marriage), she produced at least ten films in Switzerland's
Engadine Valley, capturing alpine sports such as
ice hockey in
St. Moritz and
tobogganing on the
Cresta Run. Regarded as one of the world's earliest female filmmakers, alongside
Alice Guy-Blaché and
Laura Bayley, her work was showcased by
James Williamson at
Hove Town Hall in November 1900 and included in his 1902 catalogue. Her films earned praise from cinema pioneer
Cecil Hepworth and author
E. F. Benson. == Personal life ==