Following graduation, Kaarma was engaged at the South Estonia Theatre in
Võru with most of her graduating classmates from the Estonian State Theatre Institute. Kaarma's stage debut was as
Viola, in
William Shakespeare's
Twelfth Night in 1949. However, the theatre was poorly funded and closed in 1951 after only two years of operation. In 1951, Kaarma began a tumultuous engagement at Tartu's
Vanemuine theatre, where she performed in roles in works by such varied authors and playwrights as
Honoré de Balzac,
Leo Tolstoy,
Bertolt Brecht and
Anton Chekhov, among others, throughout her career with the theatre. At the time, the Vanemuine was under the direction of actor and stage pedagogue
Kaarel Ird. Although praised for her ability as an actress, Kaarma's relationship with Ird was turbulent and the two were frequently at odds with one another and mired in personal and professional disputes. At one point, during the late 1950s, Kaarma was offered an engagement at the
Estonian Drama Theatre in Tallinn by theatre director Ilmar Tammur. However, Ird refused to grant Kaarma permission to leave the Vanemuine. Kaarma's final appearance onstage at the Vanemuine was a role in the production of the
Hugo Raudsepp comedic play
Vedelvorst in 1967. In 1957, Kaarma was cast as Salme in the Aleksandr Mandrõkin directed black-and-white feature film drama
Pöördel for Tallinna Kinostuudio. The film centered around a communist party official, portrayed by Kaarma's former husband Gunnar Kilgas, who is sent to revive the faltering productivity of a
collective farm. This was Kaarma's biggest film role. In 1971, she had a small role in the
Kalju Komissarov directed drama film
Metskapten, starring former Estonian State Theatre Institute classmate Jüri Järvet. ==Alcoholism and death==