The Path of Modern Yoga

The modern practice of yoga as a form of exercise developed from medieval haṭha yoga in the 20th century by discarding most of its practices and focussing on asanas, physical postures. At the same time, it acquired an element of aerobic exercise, initially through the adoption from physical culture of Surya Namaskar, the series of postures connected by flowing movements known as the sun salutation. In some modern styles of yoga, these flowing movements have developed into vinyasas, connecting sequences used throughout the yoga session. ==Book==

Synopsis The Path of Modern Yoga, based on what the author states is 10 years of research, examines the history of modern asana-based yoga through the lives of eleven pioneering figures: Sri Yogendra; Swami Kuvalayananda; Seetharaman Sundaram; Tirumalai Krishnamacharya; Swami Sivananda; the bodybuilder K. V. Iyer; the rajah of Aundh, Pant Pratinidhi; the journalist Louise Morgan; the diplomat Apa Pant; and two students of Krishnamacharya, his brother-in-law, B. K. S. Iyengar, and one of Iyengar's pupils, Indra Devi. The 35 chapters are arranged in three parts that cover the transformation of yoga during the modern period. The book maps out the development of modern yoga saw the original pre-1900 hatha yoga becoming divested of its sacred trappings (Part I); the resulting secular yoga was then made dynamic, with jumped transitions (vinyasas) between postures (Part II); and this dynamic, secular yoga was then resacralised (Part III). There is no introduction or conclusion. Part I, "Divesting Yoga of the Sacred", consists mainly of five chapters on Yogendra and five on Kuvalayananda, who pioneered the medical study of yoga, at the start of the 20th century the territory of despised vagrants, beggars, and fakirs, and in so doing helped to make yoga acceptable. Part II, "Making Yoga Dynamic", consists mostly of three chapters on Pant Pratinidhi, an enthusiast for exercise and a powerful advocate for Surya Namaskar; three on Krishnamacharya, described as the father of modern yoga, who incorporated many standing poses from the gymnastics of popular physical culture into his teaching, alongside the jumping transitions of Surya Namaskar, creating more standing poses and the dynamic vinyasa style of yoga that he taught to his pupils including Iyengar and K. Pattabhi Jois, who went on to found yoga schools of their own; and three on Morgan. Part III, "Making Yoga Sacred Again", has two chapters on Devi, who helped to popularise yoga in America through her celebrity pupils in Hollywood; and seven on Iyengar, who made yoga precise, in particular with his 1966 book Light on Yoga, and who helped to spread yoga across the Western world, founding institutes of Iyengar Yoga, especially in Britain and in America. The book is illustrated with historic monochrome photographs of its protagonists and places associated with them, and a few drawings showing movements of the body and muscles affected. ==Reception==

, a pioneer of yoga as exercise. The book received some positive reviews. Krysta Gibson, reviewing the book for New Spirit Journal, writes that the book explains "how we went from yoga being a hidden, weird thing hippies and new agers did, to yoga studios on almost very corner". In her view, Goldberg "does a masterful job" of explaining the transformation. The San Francisco Book Review likewise comments that Goldberg describes yoga's "massive transition from spiritual practice to focusing on health and fitness". The review states that Goldberg's case is that "instead of desecrating a sacred tradition, this change moved yoga from solitary and inaccessible to embodied, spiritual, and open to everyone". The trade journal Publishers Weekly calls the book "a richly detailed examination of modern yoga" and suggests that it will appeal to both practitioners and scholars. . Niki Whiting, writing in Spiral Nature Magazine, was more doubtful. She comments that while she admired the research behind it, she struggled with the book, as it isn't an overview of the tradition and poses, nor a history of yoga's changes in the past 40 years, but "a specific history of yoga in the 20th century". She regretted the lack of an Introduction section in the book, and had been hoping for what she thought the subtitle suggested, a more spiritual or theological exploration. The author and yoga teacher Matthew Remski compares historians of yoga to the fable of the blind men describing an elephant (one finds it flexible and leathery, another like a massive pillar, a third like a rope, a fourth smooth, polished, and cold...): Norman Sjoman found yoga influenced by South Indian wrestling exercises; Joseph Alter found it torn between esoteric and scientific; Mark Singleton discovered a collision of Western physical culture with Indian spirituality. In Remski's view, along comes "Goldberg with a dozen years of dogged research, a sleuthing style metered out in engaging chunks, a deep appreciation for the embodied sensations offered by competing visions of asana practice, a sharp eye for human foibles and historical oddities" and "makes a bold attempt to ride the elephant. As blindfolded as everyone else, he wobbles a bit, but hangs on for long enough to produce something that a lot of people have been waiting for: a penetrating, body-aware cultural history of a modern spirituality, written through richly realized characters." What Remski says he misses in Goldberg's book is answers to questions like what Indian physical yoga was before the transformation. ==See also==