Philips Augustijn Immenraet is known for his landscapes. While his landscapes are usually in the Italianate style he also painted wooded landscapes that are reminiscent of the works of
Cornelis Huysmans and "The Sonian Forest Painters" such as
Jacques d'Arthois. Immenraet is regarded as a member the group of pseudo-
classicist to which Huysmans also belonged. As was the custom in artistic production at the time, Immenraet often collaborated with other specialist painters in the creation of a composition. Immenraet would paint the landscape while the other specialist painters would take care of other aspects of the painting such as staffage, architecture, animals or still life elements. A collaboration with
Erasmus Quellinus II is reported by the Dutch biographer
Arnold Houbraken. The
Royal Museums of Fine Arts of Belgium holds the 1672 painting
The Legend of William Tell shown to the Antwerp Guild of St Sebastian, which is a collaboration between Immenraet,
Wilhelm Schubert van Ehrenberg (who painted the architecture) and
Karel-Emmanuel Biset. He also worked with
Nicolas Robert on the painting
Cartouche with floral decoration and two parrots around a landscape, with Immenraet painting the landscape and Robert the surrounding cartouche (private collection). Immenraet was also active as an engraver. He produced a series of 8 etchings of landscapes after the work of his teacher
Lucas van Uden, which were published by the Antwerp publisher
Frans van den Wyngaerde. ==References==