Box office The film was released on August 3 on 1776 screens. It opened at number 1 at the Korean box office with 336,751 viewers. It logged one million viewers on the fourth day of its release after topping the box office for two days. It took 18 days for the film to surpass 2 million viewers. , it was the
8th highest-grossing Korean film of 2022 with a gross of US$14.7 million and 2.1 million admissions according to the
Korean Film Council. With a production cost of about , the film required about 5.2 million (South Korean) admissions to cross the
break-even point. At the end of August, the film was sold for and released exclusively on
Coupang Play. By skipping
VOD service, the film was able to recover its production costs thanks to the down payment.
Critical response The
review aggregator website
Rotten Tomatoes reported a 64% approval rating, based on 33 reviews with an average rating of 5.5/10. Im Soo-yeon of
Cine21, stated that the film "resembles director Bong Joon-ho's
The Host rather than a Hollywood movie about hijacking or aviation disasters". Concluding, Im wrote, "This is a new film from director Han Jae-rim, who directed
Contemplation and
The King." Lee Marshall reviewing the film for
Screen Daily was critical of the timing of the film. He appreciated the car chase sequence filmed through the windscreen of the vehicle in pursuit. Concluding Lee wrote, ".... but the film remains as a series of sketches that are all but erased by the film’s trite and inauthentic ending." Peter Debruge of
Variety appreciating the film wrote, "From a storytelling perspective, seeing what Han can do with the interior of a plane — and a whole lot of CGI — is downright inspirational." Jared Mobarak writing in The Film Stage graded the film as B− and wrote, "The plane is in danger. It can't land until a plan to alleviate that danger is made on the ground. Everything that occurs reinforces those two truths. Even so, it's never boring." Laura Sirikul of The Nerds of Color rated the film 3.5/5 and praised, the production design, cinematography, and CGI on the plane interior as "incredible". Sirikul stated, "The film was filled with so many twists and turns that you don’t really notice the long duration. It also amps up the anxiety and stakes by adding more and more surprises." Therese Lacson writing in Collider graded the film as C+ and wrote, "With so much holding it down, it feels impossible for
Emergency Declaration to take flight, and it lives in the shadow of disaster films that capitalize on the hallmarks of its genre, rather than trying to do too much at the same time."
Accolades ==References==