César Magrini in
El Cronista Comercial said: "Formidable aesthetic language... Margot Moreyra and Ariel Bonomi, and you have to see them to understand them, are capable of doing what they do because when they act, they strip themselves of their fears, and it is known that from this counterpoint only injuries, sores, and wounds are produced, which are hardly curable." Carlos Troncone in
Página 12 wrote: "Repression, among flowers of evil... In truth - suggests the film - there are no absolute monsters just as there are no beings who are absolutely normal. Religion and morality, education, economics, and surely politics shape deformed creatures whose virtues and flaws can lose their proportions and alternate depending on whether the context is public or private." Manrupe and Portela write: "The best example of Polaco's grotesque cinema, with a kitsch and rough aesthetic, and a different way of approaching the mother-son relationship." == References ==