Ennodius is one of the best representatives of the two-fold (
pagan and
Christian) tendency of 5th century literature, and of the Gallo-Roman clergy who upheld the cause of civilization and classical literature against the inroads of barbarism. But his anxiety not to fall behind his classical models—the chief of whom was
Virgil—his striving after elegance and grammatical correctness, and a desire to avoid the commonplace have produced a turgid and affected style, which, aggravated by rhetorical exaggerations and popular
barbarisms, makes his works difficult to understand. It has been remarked that his poetry is less unintelligible than his prose. The numerous writings of this ecclesiastic may be grouped into four types: letters, miscellanies, discourses, and poems. His letters on a variety of subjects, addressed to high church and state officials, are valuable for the religious and political history of the period. Of the miscellanies, the most important are: • The
Panegyric of Theodoric, written to thank the
Arian king for his tolerance of
Catholicism and support of
Pope Symmachus (probably delivered before the king on the occasion of his entry into
Ravenna or Milan); like all similar works, it is full of flattery and exaggeration, but if used with caution is a valuable authority. • The
Life of St Epiphanius, bishop of Pavia, the best written and perhaps the most important of all his writings, an interesting picture of the political activity and influence of the church •
Eucharisticon de Vita Sua, a sort of confessions, after the manner of
Augustine of Hippo • the description of the enfranchisement of a slave with religious formalities in the presence of a bishop •
Paraenesis didascalica, an educational guide, in which the claims of grammar as a preparation for the study of rhetoric, the mother of all the sciences, are strongly insisted on. The discourses (
Dictiones) are on sacred, scholastic, controversial and ethical subjects. The discourse on the anniversary of Laurentius,
bishop of Milan, is the chief authority for the life of that prelate; the scholastic discourses, rhetorical exercises for the schools, contain eulogies of classical learning, distinguished professors and pupils; the controversial deal with imaginary charges, the subjects being chiefly borrowed from the
Controversiae of
Seneca the Elder; the ethical harangues are put into the mouth of mythological personages (e.g. the speech of
Thetis over the body of
Achilles). His poems include: • two
Itineraria, descriptions of a journey from Milan to Brigantium (
Briançon) and of a trip on the
Po River • a defense of the study of secular literature • an
epithalamium, in which Love is introduced as execrating Christianity • a dozen
hymns, after the manner of
Ambrose, probably intended for church use •
epigrams on various subjects, some being epigrams proper (inscriptions for tombs, basilicas, baptisteries) and others imitations of
Martial, satiric pieces and descriptions of scenery. ==Critical editions==