Early years The youngest of five children, Tubb was born on a cotton farm near
Crisp, in
Ellis County, Texas, United States. He was inspired by
Jimmie Rodgers and spent his spare time learning to sing,
yodel, and play the guitar.
Recording career In 1936, Tubb contacted Jimmie Rodgers' widow (Rodgers died in 1933) to ask for an autographed photo. Tubb joined the
Grand Ole Opry in February 1943 and put together his band, the Texas Troubadors. Tubb's first band members were from
Gadsden, Alabama. They were Vernon "Toby" Reese, Chester Studdard, and Ray "Kemo" Head. He remained a regular on the radio show for four decades, and hosted his own
Midnite Jamboree radio show each Saturday night after the Opry. Tubb headlined the first
Grand Ole Opry show presented in
Carnegie Hall in New York City in September 1947. Tubb always surrounded himself with several of Nashville's best musicians. Jimmy Short, his first guitarist in the Troubadors, is credited with the Tubb sound of single-string guitar picking. From about 1943 to 1948, Short was featured in clean, clear riffs throughout Tubb's songs. Other well-known musicians to either travel with Tubb as band members or record on his records were steel guitarist
Jerry Byrd and Tommy "Butterball" Paige, who replaced Short as Tubb's lead guitarist in 1947.
Billy Byrd joined the Troubadors in 1949 and brought jazzy riffs to the instrumental interludes, especially the four-note riff at the end of his
guitar solos that would become synonymous with Tubb's songs. A jazz musician, Byrd— no relation to Jerry— remained with Tubb until 1959. Another Tubb musician was actually his producer,
Owen Bradley. Bradley played piano on many of Tubb's recordings from the 1950s, but Tubb wanted him to sound like
Moon Mullican, the honky-tonk piano great of that era. The classically-trained Bradley tried, but could not quite match the sound, so Tubb said Bradley was "half as good" as Moon. When Tubb called out Bradley's name at the start of one of the piano interludes, the singer always referred to him as "Half-Moon". In 1949, Tubb helped the famed boogie-woogie
Andrews Sisters crossover to the country charts when they teamed on Decca Records to record a cover of Eddy Arnold's "
Don't Rob Another Man's Castle" and the Western swing-flavored "I'm Bitin' My Fingernails and Thinking of You". and he was then eager to repeat that success. He brought the upbeat "Fingernails" tune to the session, hoping that the trio would like it, and they did. Not realizing how tall the Texas Troubadour was, the recording technicians at Decca had the sisters stand on a wooden box on one side of the one microphone they shared with Tubb so the audio would balance. The rhythm trio also was not used to Tubb's vocal style, as Maxene once remembered, "He sang different than anybody I've ever heard. He sang the melody of the song, but the timing was different. It wasn't like we were used to...you sing eight bars, and then you sing eight bars, and then you sing eight bars. Not with him. He just sang eight bars, ten bars, eleven bars, and then stopped, whatever it was. So, we'd just start to follow him, and then got paid on 750,000 records sold that never came above the Mason-Dixon Line!" and actually mocked his own singing. He told an interviewer that 95% of the men in bars would hear his music on the juke box and say to their girlfriends, "I can sing better than him," and Tubb added they would be right. In fact he noticeably missed some notes on some recordings. When Tubb was recording "
You Don't Have to Be a Baby to Cry" in 1949 and tried to hit a low note,
Red Foley, his duet partner at the time was sitting in the booth when somebody said, "I bet you wish you could hit that low note." Foley replied, "I bet Ernest wishes
he could hit that note." The two, who released seven albums together, maintained a friendly on-air "feud" over the years, and Tubb appeared on Foley's
Ozark Jubilee on ABC-TV. In 1957, he walked into the lobby of the
National Life Building in
Nashville in the early morning hours and fired a .357 magnum, intending to shoot music producer Jim Denny. Instead, Tubb mistakenly shot at WSM news director, Bill Williams, as he was walking in to work. Luckily, Tubb barely missed (twice) before realizing he had shot at the wrong man. He was arrested and charged with public drunkenness. In the 1960s, Tubb was well known for having one of the best bands in country music history. The band included lightning-fingered
Leon Rhodes (1932–2017), who later appeared on TV's
Hee Haw as the guitarist in the show's band.
Buddy Emmons, another pedal-steel guitar virtuoso, began with Tubb in fall of 1957 and lasted through the early 1960s. Emmons went on to create a steel-guitar manufacturing company that bears his name.
Buddy Charleton, one of the most accomplished pedal-steel guitarists known, joined Ernest in spring 1962 and continued to fall of 1973. Buddy Charleton and Leon Rhodes formed a nucleus for the
Texas Troubadours that would be unsurpassed. Drummer
Jack Greene joined the Texas Troubadours in 1962 and eventually graduated to becoming Tubb's opening act and a standout country singer himself. Beginning in the fall of 1965, he hosted a half-hour TV program,
The Ernest Tubb Show, which aired in first-run syndication for three years. That same year, he was inducted into the
Country Music Hall of Fame, and in 1970, Tubb was inducted into the
Nashville Songwriters Hall of Fame.
Later years Tubb inspired some of the most devoted fans of any country artist — and his fans followed him throughout his career, long after the chart hits dried up. He remained, as did most of his peers, a fixture at the Grand Ole Opry, where he continued to appear. he made his final appearance on the Grand Ole Opry on August 15 of that year.
Death Tubb died on September 6, 1984, at the Baptist Hospital in
Nashville from
emphysema. He is buried in Nashville's Hermitage Memorial Gardens. ==Legacy==