Brus grew up in
Mureck, attended the
Kunstgewerbeschule Graz and went to
Vienna in 1956, where he studied painting and met his lifelong friend
Alfons Schilling. In the fall of 1960, influenced by
German expressionism,
Edvard Munch,
Vincent van Gogh,
abstract expressionism, and artists such as
Emilio Vedova, he began to create artwork that was not confined to visual media. His companion
Otto Muehl, who met him at the time, said of his work: "The color sometimes exploded like a bomb when it hit the picture. That was total creative excess. [...] The entire room was covered with paint splatters, and the dried paint sludge lay inches high on the floor." Shortly before his first major exhibition together with Schilling, he was conscripted into the military in May 1961. After completing his military service, he fell into a psychological crisis and did not start work again until the end of 1962. In 1964, Brus performed his first "Aktion" titled
Ana, in which he painted his wife Anni Brus, his own body, and the surroundings of his studio with white and black paint. Throughout the latter half of the 1960s he staged numerous performances with his own body at the center of the action, as in the actions
Selbstbemalung and
Selbstverstümmelung. Brus was a co-founder in 1964 of
Viennese Actionism () with Otto Muehl,
Hermann Nitsch, and
Rudolf Schwarzkogler. His aggressively presented actionism intentionally disregarded conventions and
taboos, with the intent of shocking the viewer. At the
Kunst und Revolution event at the
University of Vienna in 1968, Brus urinated into a glass then proceeded to cover his body in his own excrement, and during the performance Brus also sang the
Austrian National Anthem while
masturbating. Brus ended the piece by drinking his own
urine and inducing vomiting, and was subsequently arrested. Through this piece and his other performance works, Brus hoped to reveal the still
fascist essence of the nation. This performance created a public outrage at the time and the participants were dubbed by the media as
uniferkel or "University Piggies." Sentenced to six months in prison after the event and subsequent public reactions, he fled to Berlin with his family and returned to Austria in 1976. Brus also was editor of the
Die Schastrommel (author's edition) from 1969 on. He was involved in the
NO!Art movement. In 1966 he participated in the
Destruction in Art Symposium (
DIAS) in London with fellow artists
Gustav Metzger, Otto Muehl,
Wolf Vostell,
Yoko Ono, and others. Brus participated in
Documenta 5 in
Kassel in 1972 and was represented as an artist at
Documenta 6 (1977) and
Documenta 7 in 1982. From 1970 he began on his novel Irrwisch, which was underpinned by numerous drawings. Works emerged that he called picture poems which opened a new section in Brus's work, the fruit of which is the rich graphic and literary work of the 1970s and 1980s. Brus was awarded the
Grand Austrian State Prize in 1996. Most of his works are shocking and controversial. The
Joanneum now houses a permanent gallery, called the Bruseum, featuring the work of Brus and fellow Viennese Actionists. Brus was a columnist and illustrator for the Austrian monthly magazine Datum since summer 2005. He lived and worked in
Graz and on the
Canary Islands.
Kurt Flecker, then cultural advisor for
Styria, laid the foundation stone for his own Brus Museum in 2008 with a collection purchase for the Neue Galerie Graz. The "BRUSEUM", which opened on 26 November 2011 at the new location of the Neue Galerie Graz in the Joanneumsviertel, is designed as a permanent high-profile exhibition space. It is dedicated to the preservation of central works of the artist. In 2010, Berlin-based
art film home video company Edition Kröthenhayn released a boxset including a DVD containing his films (including, inter alia,
8/64: Ana – Aktion Brus,
10c/65: Brus wünscht euch seine Weihnachten,
10b/65: Silber – Aktion Brus,
10/65: Selbstverstümmelung,
16/67: 20. September,
Die Blumen des Bösen,
Strangulation,
Psycho-Dramolett,
Kunst und Revolution,
Osmose,
Einatmen – Ausatmen,
Handlung,
Zerreißprobe,
Selbstbemalung, and
Wiener Spaziergang), directed by, among others,
Kurt Kren, Hans Christof Stenzel, Peter Gorsen, Ernst Schmidt Jr., Helmut Kronberger, Werner Schulz, and Otto Muehl, as well as by Brus himself and his wife Anni Brus, compiled and presented in a documentary format by Peter Kasperak, with a total running length of 82 minutes in a limited edition of a thousand hand-numbered copies under the title
Körperanalysen: Aktionen 1964–1970. The DVD further features a 2004 52-minutes television documentary film about Brus called
Schrecklich verletzlich – Günter Brus directed by Peter Kasperak, Anita Natmessnig, and Adam Wallisch as well as many slide shows of Actionism photography by Ludwig Hoffenreich and others. The boxset also sports a 100-pages book with photos and texts by
Peter Weibel and Theo Altenberg. His wife Ana (1943–2025) played an essential role in Brus' work. In a newspaper interview in 2018, she said that she took part in Rudolf Schwarzkogler's "Wedding" campaign because Schwarzkogler's wife would never have been willing to show her breasts and Schwarzkogler was too shy to ask a woman. In addition, she once obtained 40
condoms from a pharmacy for an action of Hermann Nitsch because Nitsch did not dare to buy them himself. Brus died in Graz on 10 February 2024, at the age of 85. ==Selected exhibitions==