Estelle Ishigo

Estelle Peck was born in Oakland, California, on July 15, 1899. She was the daughter of concert singer Bertha Apfels and portrait and landscape artist Bradford Peck. She was of English, Dutch and French ancestry. Throughout her childhood, she was surrounded by music and art. Her parents were largely absent and she was primarily raised by a nurse. The couple lived in the Japanese American community of Los Angeles, and were avid campers – finding refuge from racial prejudice in nature. == Incarceration ==

Following the attack on Pearl Harbor, the couple faced heightened discrimination. Arthur Ishigo and all other ethnic Japanese who worked at Paramount Studios were fired on December 8, 1941, one day after the attack. Shortly thereafter, Estelle resigned as an art instructor at the Hollywood Art Center School to join her husband. Both were American citizens. After President Roosevelt signed Executive Order 9066, Arthur was ordered to report to the temporary detention center at the Pomona Fairgrounds. Estelle faced a decision – stay with her husband of 13 years and be incarcerated or remain in Los Angeles alone. She was informed that if she chose to go with her husband, she would not have any privileges due to her race and would have the same status as the Japanese American prisoners. On May 10, 1942, Estelle chose to report for incarceration, and began sketching the series of events that followed. Estelle and Arthur were first held at the Pomona Assembly Center, where over 5,000 individuals of Japanese ancestry were incarcerated. She chose charcoal sketches and pencil drawings as her main media because she found watercolors to be "too clean and untroubled" to capture the experiences of camp. Although the Ishigos never had children, much of Estelle's work involved depicting children within the camps, illustrating young Japanese American youth playing while behind barbed wire. == Post-war and death ==

The War Relocation Authority (WRA) closed the Heart Mountain concentration camp in November, 1945. Like most other prisoners, the Ishigos had nothing to come back to. The couple was each given $25 and a train ticket, and headed back to Los Angeles. With no work and no place to live, Estelle and Arthur lived in segregated trailer camps outside of Los Angeles. When the trailer camps were condemned by the Los Angeles Health Department in the Spring of 1948, Japanese American families moved into housing projects. Arthur took odd jobs at fish canneries, but was deeply depressed from the experience of incarceration. The couple lived in poverty for years following the end of the war. Estelle joined a Japanese American band to get back the feeling of community that she has in the internment camp. In 1948, as part of the Japanese American Evacuation Claims Act the Ishigos submitted a list of their lost property, totaling over $1,000. However, they were only granted $100 for their loses. The couple tried to petition for a higher settlement, but by 1956 they gave up and accepted the lowball settlement of $102.50. On August 19, 1957, Arthur Ishigo died of cancer at the age of 55. Following Arthur's death, Estelle took a job as a mimeograph operator to earn money. In the 1960s, Estelle resumed her teaching role at the Hollywood Art Center School. In 1983, documentary filmmakers and former Heart Mountain prisoners tracked down Estelle living in a basement apartment in Los Angeles. She had lost both of her legs to gangrene and was living on only $5 a week for food. She was quickly placed in a convalescent hospital in Hollywood. Estelle died on February 25, 1990, at the age of 90. == Notable works ==

Lone Heart Mountain The Heart Mountain High School Class of 1947 helped Ishigo republish her 1972 book Lone Heart Mountain with the help of the Hollywood chapter of the Japanese American Citizens League (JACL). Days of Waiting Days of Waiting (1990) was produced, written and directed by Steven Okazaki. When Okazaki met Ishigo she reportedly told him, "I've been waiting for someone to tell my story to, then I can die." She died shortly before it was released. The film notably won a Peabody Award and an Academy Award for Best Documentary (Short Subject). == Legacy and collections ==

In 1972, the California Historical Society opened Months of Waiting, an exhibit of art from the concentration camps that included work from Estelle Ishigo, along with artists Hisako Hibi, George Matsusaburo Hibi, Miné Okubo, Chiura Obata, and Henry Sugimoto. Estelle left her watercolor collection in the care of Allen Hendershott Eaton, an art collector who notably amassed a large collection of camp artwork. After the Eaton collection was narrowly saved from a private sale in 2015 and acquired by the Japanese American National Museum (JANM), Ishigo's watercolors were conserved and loaned to Heart Mountain, where she had been incarcerated. Following the loan from JANM, Bacon Sakatani, an Advisory Council member of the Heart Mountain Wyoming Foundation (HMWF) and personal friend of Ishigo, donated 137 of her pencil sketches. Her work was on view at Heart Mountain from May 15 – December 31, 2018, in the show Works by Estelle Ishigo: The Mountain was Our Secret. This collection consists of documents (including many documents pertaining to Ishigo's post-war Evacuation Claims Act filings), records, correspondence, photographs, paintings, pencil drawings and sketches, and watercolor sketches. == See also ==