The Monthly Film Bulletin wrote: "George Moore's novel, from which this film has been made, is a deeply moving sociological essay; the film itself is a disjointed account of the seduction of a strictly-brought-up servant girl, played with uninspired gravity by Kathleen Ryan, and her struggles to bring up her child in accordance with her own high principles. It is a film packed tight with 19th century hypocrisy and prejudice; so much attention is paid to detail that it becomes superfluous. An exciting scene of Derby Day (the painting by Frith comes to life) is too late to save the general tedium of the picture, but here the film becomes breathtakingly full of movement and colour. Harry Ross gives an excellent character study of a racecourse tout." The
Radio Times wrote: "George Moore's source novel was strongly influenced by the naturalism of
Emile Zola, but there is little of the earthiness of the original in this tawdry adaptation, which rapidly plunges between the two stools of heritage production and sensationalist melodrama. Dirk Bogarde is suitably scurrilous as a rascally footman, but the action slows fatally when he is off screen, with Kathleen Ryan in the title role facing all her trials (single motherhood, the workhouse and Bogarde's drinking) with sulkiness rather than dignity and determination. The horse-racing scenes are efficiently presented, but Ian Dalrymple and Peter Proud direct with heavy hands"
TV Guide called the film "A well-done but melancholy costume drama from the book by the Irish playwright and critic George Moore, a cofounder of the theatre group that led to the famous
Abbey Theatre." Clive Donner called it "a hopless film... but beautifully made." ==Box office==