Eugene Lee-Hamilton was born in London on 6 January 1845; his parents were James Lee-Hamilton, who died in 1852, and Matilda (née Abadam, later Paget) (1815–1896), daughter of
Edward Hamlyn Adams. He had a younger half sister
Violet Paget, who wrote as Vernon Lee. A maternal cousin was British suffragist
Alice Abadam. Lee-Hamilton was educated mainly in France and Germany. In 1864 he was sent to the
University of Oxford. In 1869 he entered the British diplomatic service. He was first attached to the Embassy at Paris, where, due to his early experiences of French life, and mastery of the French language, he was eminently suitable. After the Franco-German War broke out he took part in the
Alabama arbitration at Geneva. Subsequently he was appointed secretary in the British Legation at
Lisbon. He had to renounce this second position in 1873, when, suddenly, he collapsed altogether, losing the use of his legs, and suffering agonies of pain.
Early poems Hamilton's first miscellaneous poems appeared in 1878, and attracted no notice whatever; and it was only with the publication of
The New Medusa that his poetry began to receive attention. This volume was followed, in 1885, by one entitled
Apollo and Marsyas, and his next publication, entitled
Imaginary Sonnets, came out in the fall of 1888. As a writer of sonnets he is most remarkable. He spent much of his adult life suffering from psychological ailments. He was nursed by his mother and sporadically by his half-sister, Violet Paget, who wrote under the name
Vernon Lee. Lee-Hamilton lived with his mother and step-father in Florence, Italy, during his illness, and it was only after his mother died in 1896 and he recovered that he was able to travel again, eventually marrying the novelist
Annie E. Holdsworth in 1898 and fathering a child, Persis Margaret, in 1903, but she died of meningitis in infancy. This led to him writing the poem,
Mimma Bella; In Memory of a Little Life.
Analysis Lee-Hamilton wrote in the tradition of shorter
Victorian verse, particularly the dramatic sonnet.
Robert Browning was an influence, but Lee-Hamilton refined the art of the
dramatic monologue, and there is a restless imagination to his sonnets. Certain motifs recur, such as submersion in water, being buried in the earth, being shackled, the conflict between body and mind, dark female archetypes such as the gorgon, and male archetypes such as the madman or the murderous lover. Lee-Hamilton has failures when an image or plot that loses force because it lacks restraint. His major works are his sonnets, and his successes depend on technical ability. He condensed the dramatic monologue into a sonnet format, and gained power, in sonnets that are concise and restrained.
Imaginary Sonnets (1888) drew on historical, mythic and imaginary figures: each spoken by a particular person at a definite time.
Philip Hobsbaum (in
Metre, Rhythm and Verse Form) suggests that Lee-Hamilton's
Sonnets of the Wingless Hours (1894) is the only Victorian sonnet sequence that can compare to
Gerard Manley Hopkins. In longer poems of collections such as
the New Medusa (1882), there are narratives and dramatic monologues that explore the darker side of life; as in Browning, lust, jealousy, and fear predominate. == Works ==