Fontaine was taught the
Dance Egyptienne by St. Denis’ husband, choreographer
Ted Shawn, one of several dances Shawn would teach her based on his interpretation of Javanese ceremonial dancing. The next year she was booked to perform the traditional
Jockey Dance at an annual celebration that follows the running of the Saratoga Cup in upstate New York. Fontaine went on to tour nationally with dancer and future film actor
Kenneth Harlan before joining the
Ziegfeld Follies where she would later shine in Ziegfeld’s
Midnight Follies (1919). Fontaine was among a group of entertainers who in 1919 donated their talents to a benefit costume ball held on behalf of blind war veterans at Manhattan’s
Ritz-Carlton. The next year at the
Casino Theatre (Broadway) Fontaine helped put on a memorial charity show that honored the actor Frank Carter on the first anniversary of his death. In 1920 Fontaine worked on three motion pictures,
Madonnas and Men, playing the dual roles of Nerissa and Ninon,
Women Men Love as Moira Lamson, and as a dancer in
A Romantic Adventuress. Within a few years though, Fontaine would be limited to performing her “Oriental style” dancing at cabarets and nightclubs as her sensational court battles with a member of one of America’s wealthiest families most likely derailed any chance she had of attaining future stardom in New York or Los Angeles. What also should have or karmically so derailed her future stardom was that on New Year’s Day in 1925, Fontaine brutally beat Jennie Harrison, her African-American household worker. Jennie rightfully demand that Fontaine pay her after being denied pay for three weeks. Harrison’s request was met with a coat hanger and Harrison claimed that Fontaine, “in a rage, thrust a revolver under her nose.” (42) A performance by Fontaine was incorporated in the 1921 novel
Beauty, by
Rupert Hughes: ==Early target of paparazzi==