'' by
Sir Joshua Reynolds, circa 1788. Eye miniatures are believed to have originated when the Prince of Wales (later
George IV) felt the need to send the widow
Maria Fitzherbert a token of his love. This gesture and the romance that went with it was frowned upon by the court, so a miniaturist was employed to paint only the eye and thereby preserve anonymity and decorum. The couple went through a form of marriage on 15 December 1785, though all present knew the marriage was invalid by the
Royal Marriages Act, since
George III had not approved. Reportedly Maria’s eye miniature was worn by George IV, hidden under his lapel. This is regarded as the event which led to lovers' eyes becoming fashionable, appearing between 1790 and the 1820s in the courts and affluent families of England, Russia, France and more rarely, America. These portraits could also be found on various other trinkets, framed by precious stones on the lids of toothpick containers, snuffboxes and other small vessels. They would sometimes contain locks of hair gifted by the sitter to further accentuate the sentimentality of the piece. The hair could either be incorporated into the portrait itself or encased behind glass or crystal on the piece of jewellery. The high prices fetched by these items has generated a thriving market in imitations. A note in
Lady Eleanor Butler's diary recorded the arrival of a young man who had made the
Grand Tour, and had brought "an Eye, done in Paris and set in a ring – a true French idea." ==References==