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Face Value (album)

Face Value is the debut solo studio album by the English drummer and singer-songwriter Phil Collins, released on 13 February 1981, by Virgin Records in the United Kingdom and Atlantic Records in North America. After separating from his first wife around 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton.

Background and writing
By 1978, Phil Collins had been a member of English progressive rock band Genesis for almost eight years. After spending the first five as their drummer, he reluctantly accepted the role of frontman of the group in 1975 following the departure of the band's original singer, Peter Gabriel. Three years later, after departure of guitarist Steve Hackett, Genesis' nine-month world tour to promote ...And Then There Were Three... (1978) became problematic for Collins' wife, Andrea, who complained that he was not at home enough and should he commit to the full tour, she would not be there when he returned. Collins maintained that the band were on the cusp of their international breakthrough and the tour would pay dividends for the future. At the end of the tour, Andrea decided to take their two children to her parents in Vancouver, Canada. In an attempt to save his marriage, Collins moved to Vancouver, but the attempt failed. Collins returned to England in April 1979, with Andrea having agreed to return with the children. With Genesis members Tony Banks and Mike Rutherford working on their solo albums through 1979, Collins used some of his spare time to write songs. He told Modern Drummer early that year: In his home in Shalford, Surrey, named Old Croft, Collins set up a Sequential Prophet-5 synthesiser, piano, Roland CR-78 drum machine, and an 8-track tape machine in his bedroom, and recorded a collection of demos with backing tracks and early lyrics. He did so to "leave the nest" and to ensure he could maintain full creative control over the music. Collins also felt that releasing the album on Charisma Records, the same label as Genesis, would have harmed its success due to the preconceived notions people have about bands and labels. Virgin gave Collins a £65,000 advance on the album. ==Production==
Production
Recording Recording sessions for Face Value took place at the Town House in London and the Village Recorder in Los Angeles between August and December 1980. The demos recorded onto 8-track were transferred onto 24-track for overdubs. Collins was dissatisfied with initial test cuts of the album, describing them like a Queen album, "big, British and upfront". Packaging Collins regarded Face Value as a highly personal project, which gave rise to the iconic cover art with Collins' face in extreme close-up, originally intended to symbolise the listener "getting into his head"; the reverse side of the sleeve shows the rear of his head, although the CD version of the album placed this image on the insert card instead. To emphasise the personal nature of the album, Collins also hand wrote all of the liner and sleeve notes, even down to the legal statements on the outer circumference of the centre label of the disc itself. Both of the main visual elements of Face Value – the facial close-up, and the handwritten notes – would become a motif of Collins' subsequent albums until 1996's Dance into the Light. When crediting the musicians in the liner notes, rather than write "Phil Collins", Collins simply wrote "Me", although in future albums he would write his initials "PC". ==Release and commercial performance==
Release and commercial performance
Face Value was released on 13 February 1981, by Virgin Records in the United Kingdom and Atlantic Records in North America. The album became an immediate success, reaching No. 1 in the UK, Canada, and other European countries, while peaking in the top ten in the US. "In the Air Tonight" became the album's biggest hit, reaching No. 2 in the UK, No. 1 in three other countries, and becoming a top twenty hit in the US. Other songs such as "I Missed Again" found modest success reaching No. 14 in the UK and No. 19 in the US, while the third single, "If Leaving Me Is Easy", reached No. 17 in the UK but was not released in America. Sales of the album reached five million in the US and went five-times platinum in the UK and ten-times platinum in Canada. No solo tour was produced from this album – Collins immediately resumed working with Genesis for the album Abacab upon the album's completion. ==Critical reception==
Critical reception
Robin Smith of Record Mirror highlighted the album's emotional restraint, commenting that it plays less like a statement of "raw emotion" and more like a "diary" of Collins' "disappointments, hopes and fantasies". Rolling Stone critic Steve Pond was more reserved in his praise. He complimented Collins for forgoing Genesis' "high-blown conceits" for a simpler sound rooted in "basic pop and R&B", but found that "[his] broken heart is too clearly on his sleeve, and musical missteps abound". In a retrospective review for AllMusic, Tim Sendra described Face Value as "Collins' most honest, most compelling work", which "stands as his masterpiece and one of the finest moments of the '80s musical landscape." Reviewing the album's 2016 reissue, Uncuts Sharon O'Connell said that Face Value established Collins as a "premier-league" pop and soft rock performer, "nursing only a slight prog hangover", Dorian Lynskey of The Guardian characterised the album in 2016 as "an intriguing debut, wandering between art-rock and soulful MOR... Face Value's most potent quality was its emotional transparency. Like the pensive portrait on the cover, the songs addressed the listener with unflinching directness." ==Track listing==
Track listing
Original release Notes • Several original vinyl copies have "Play Loud" etched into the album's inner groove where the matrix number is typically found. This may be because the record's baked-in volume is relatively low compared to others'. • The album was re-released using a flat transfer done by Steve Hoffman for the Audio Fidelity label in 2010. • A 2-disc remastered version of Face Value was released on 29 January 2016 and contains live songs and demos. Deluxe Edition (2016) ==Demos==
Demos
Some songs were written around this time but have not been fully recorded and included on the record: • "Please Don't Break My Heart" ''[demo released in mp3 through website in 2011; parts of the demo evolved into I'm Not Moving]'' • "How Can You Sit There? (Against All Odds)" ''[released on 'Face Value' Reissue Bonus CD in 2016]'' • "Misunderstanding" ''[released on Face Value Reissue Bonus CD in 2016 – Ended up on Genesis' Duke record]'' • "Please Don't Ask" ''[released on Face Value Reissue Bonus CD in 2016 – Ended up on Genesis' Duke record]'' == Personnel ==
Personnel
Phil Collins – vocals, drums, Roland VP-330 vocoder , CR-78 drum machine , Prophet-5 synthesizer , Fender Rhodes , percussion , acoustic piano , handclaps , congas , marimba , acoustic guitar • Daryl Stuermer – guitars , banjo , 12-string guitar • Eric Clapton – guitar • Joe Partridge – slide guitarJohn Giblin – bass • Alphonso Johnson – bass • L. Shankar – violin , tamboura , "voice drums" • J. Peter Robinson – Prophet-5 • Stephen Bishop – background vocals • Arif Mardin – string arrangements • EWF Horns – horns • Don Myrick – tenor saxophone , alto sax solo • Louis Satterfield – trombone • Rahmlee Michael Davis and Michael Harris – trumpets , flugelhorns • Ronnie Scott – tenor saxophone solo • Music preparation – Maurice Spears • Other background vocals on tracks 6 and 12 by several children's choirs in Los Angeles • Strings on tracks 8 and 11 conducted by Martyn Ford • Violins – Gavyn Wright , Bill Benhem, Bruce Dukov, David Woodcock, Liz Edwards, Irvine Arditti, Ken Sillitoe, Peter Oxen and Richard Studt • Violas – Roger Best, Brian Hawkins and Simon Whistler • Cellos – Tony Pleeth, Clive Anstee and Nigel Warren-Green • Double bass – Chris Laurence Production • Phil Collins – producer • Hugh Padgham – assistant producer. engineer • Nick Launay – assistant engineer • Karen Siegel – assistant engineer • Trevor Key – photography ==Charts==
Charts
Weekly charts Year-end charts ==Certifications and sales==
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