The photo became "the most recognizable image of the Oka Crisis." Zosia Bielski has described it as being "one of the few Canadian photos that comes close to being iconic" and Prof. Tracy Whalen says that "some have called it Canada's most famous image." Photographer Rob Galbraith, who also shot the Oka Crisis (for
Reuters) believes the photo is among the top five Canadian photos ever taken. Galbraith insists that "It’s the symbolism of it... This is the difference between a newswire photographer and a newspaper photographer. A news wire photographer tries to photograph an image that captivates and you don’t have to write a word for it, whereas a newspaper photographer will normally take photos that need a caption." Photographer Bill Grimshaw (who developed the photo) feels differently, believing that the photo was "a great photo for the day — but it really was theatre and says nothing about anything." A study, published by Rima Wilkes and Michael Kehl in the academic journal
Nations and Nationalism, examined the different ways Canadians have responded to the photograph. "People project onto this image what they want to see," says Rima Wilkes, "You can think it’s just a photograph and they don’t lie, but you can interpret it any way you want." Wilkes suggests that many non-Indigenous people see the photograph as symbolic of Canadian peacekeeping, a view she suggests is "misguided" given the events of the Oka Crisis and the overwhelming numerical dominance of the Canadian forces. The image was used as a recruitment tool by the Canadian forces. The photograph frequently appears in Canadian media stories, only partially connected with the Oka Crisis, such as coverage of the
Grand River land dispute. Indigenous activists continue to use the photograph to symbolize strength and resistance. ==References==