Following an active street art career spanning more than fifteen years, Faith47's work can now be found in cities around the world. Notable works include: ;
2010, The Freedom Charter, South Africa Taking her inspiration from the old political slogans and stencils that were used during the struggle against
apartheid, Faith47 used sentences from the
Freedom Charter document that she felt were still pressing in South Africa. ;
2012, The Taming of the Beasts, Shanghai Faith47 painted ghostly
rhinos on Shanghai walls at a time when the number of rhinos being poached for their horns was rising rapidly to meet demand from Asia. ;
2012, The Long Wait, Johannesburg These murals, of groups of men in various postures of waiting, reference photographs from Alexia Webster's photographic series,
Waiting for Work. The works imply different kinds of waiting particular to a contemporary South African context. As Faith47 told
Wooster Collective, "Miners are waiting for justice. Workers are waiting for a living wage. People are waiting for service delivery. Refugees are waiting for assistance. Men are waiting for jobs. We are all waiting for an honest politician. So many people are waiting for others to do things first. To take the blame. To do things for them. To take the fall. To build the country. To admit defeat. There has been so much waiting in this country that much time has been lost." ;
2015, The Psychic Power of Animals, New York With this series, Faith47 reintroduced nature back into the urban metropolis.i "There's an inherent irony in recreating nature on cement, so the series is a nostalgic reminder of what we've lost but also an attempt to reintegrate that into the present," Faith47 said. "We have become so distanced from nature, so these murals are an attempt to reconnect us with the natural world." ;
2015, Estamos Todos Los Que Cabemos, Harlem Painted as part of the Monument Art NYC project's focus on immigration,
Estamos Todos Los Que Cabemos utilises the migratory patterns of birds, observing that nature ignores human borders on a map. “We forget that the dividing lines specifying countries were merely drawn by politically hungry men. In reality, the earth is open. There are no countries, no borders, it belongs to no one. We are transient visitors and should travel as we please," Faith47 told Arrested Motion. ;
2016, Landfill Meditation, South Africa Landfill Meditation reflects on the notion of progress and the waste that it leaves behind. ;
2017, 21.10.2015, Cape Town & Munich This collaboration between Faith47 and Imraan Christian, 21.10.2015 is a series of three works, first exhibited at Everard Read gallery in Cape Town. The installation's starting point was an image taken by Imraan during the 2015 #feesmustfall student protests in Cape Town. The photograph documents the moment when peaceful protestors reacted violently as a response to sustained police brutality. ;
2018, Salus Populi Suprema Lex Esto, Los Angeles This project took the form of site-specific mural entitled “Salus Populi Suprema Lex Esto”, painted on
Skid Row, Los Angeles. The large-scale public installation adorns the city wall, giving space to the homeless. ;
2018, The Unbound, San Francisco Painted in San Francisco, The Unbound series covers the
UC Hastings University of Law Building in the Tenderloin. ‘The Unbound’ is an ode to the Peace
Manifesto, a request a ceasefire. “Watching the disharmony, the dismantling of human rights and the continuous struggle for equality is exhausting. The only way I can keep going is if I can transform some of this into my work.” Faith47 tells BOOOOOOOM. ;
2019, Ad Pacem, Cincinnati Created in collaboration with artist, Inka Kendzia, Faith47 created a projection-mapped mural in Cincinnati during the Blink Light Festival. Faith's mural, thematically based on Eirene, the Greek goddess of peace, highlights working towards a society that functions on open communication and inclusion. AD PACEM received the CODA AWARDS for best Residential Artwork in 2023. ;
2019, Mon Coeur, Lyon In the weeks leading up to the sixth Global Fund Replenishment Conference, Faith completed a mural on the Maternity Ward of the
Croix-Rousse hospital in Lyon. It was revealed along with 25 murals and installations, as part of a coordinated campaign across the globe (RED), aimed to drive heat and awareness around the
AIDS fight. ;
2019, The Silent Watcher, Philadelphia In Philadelphia, Faith completed her largest mural to date, as of 2019. Standing 11.000 square feet tall, this piece pays tribute to
Noam Chomsky. ;
2021, Medicinal Flowers of Lebanon, Beirut Faith's series, ‘Medicinal Flowers of Lebanon’ contrasts the forms of medicinal flowers to the landscape, the metaphorical works in Medicinal Flowers of Lebanon lead “us along the brittle sites of Beirut, tracing past and present scars etched into the city,” the artist says. “Each flower urges us in a sense, towards healing as they grow out of the concrete.” ==Immersive art==