The song starts off as a slow, understated piece, where the killer goes through his plan, becoming more intense as the target unwittingly comes closer to the assassin. This section also includes a saxophone solo played by
Dick Morrissey. At the song's climax, which features full instrumentation, the assassin rationalises that their decision to carry out the murder will provide them with notoriety. Early tracking was conducted on 28 August 1978 at
Trident Studios with members of Gabriel's touring band. The final recording features Gabriel's first use of the
Yamaha CP-70 electric grand piano. Some melodic ideas were recycled from an unreleased song titled "Why Don't We", which Gabriel played on his 1977 concert tour. Gabriel recalled that
Hugh Padgham and Fast assisted with the processing of a
Prophet synthesizer. "There was a sound I used to like on 'Family Snapshot' which was a small variation on a Prophet noise. It was OK on its own, but it was magical with the processing. And then Hugh Padgham, at that time, made some nice additional stereo imaging and delays, so it was a beautiful swirl sound. In the mix you don't hear it as much, but it's the sort of
G minor where the band comes in." When Gabriel's third self-titled album was being sequenced, one of the assistant engineers accidentally cut off the first minute of "Family Snapshot", so Padgham was required to mix the part back in. ==Critical reception==