She debuted in literature in 1889 with the translation of
Georges Ohnet's novel
Volonté from French into Turkish under the title
Meram with her husband's permission, ten years after her marriage. The book was published under her
pen name "Bir Hanım" ("A Lady"). In 1894, she co-authored the novel
Hayal ve Hakikat ("Dream and Truth") together with Ahmet Mithat Efendi. She wrote the passages for the heroine while the passages for the male character was penned by Ahmet Mithat. The work was signed with "Bir Kadın ve Ahmet Mithat" ("A Woman and Ahmet Mithat"). Fatma Aliye published her first novel
Muhazarat ("Useful Information") in 1892 under her real name, in which she tried to disprove the belief that a woman can not forget her first love. It was the first novel in the entire Ottoman Empire written by a woman. The book was reprinted in 1908. Her third novel
Udi ("The Lute Player"), published in 1899, depicts a female
oud player, whom Fatma Aliye met in Aleppo. In this novel, she tells, in a plain language, the life story of Bedia, who made an unhappy marriage. Her other novels are ''Raf'et
(1898), Enin
(1910) ("Groaning") and Levaih-i Hayat'' ("Scenes from Life"). She thematized in her works marriage, harmony between the spouses, love and affection, and the importance of
curtailing contrary to
arranged marriage. Further, she picked
individualism out as a central theme by creating independent and self-reliant heroines, who work and earn own money without the need of a man. In 1893, her prominence grew up after the publication of Ahmet Mithat's book ''Bir Muharrire-i Osmaniye'nin Neşeti'' ("Birth of An Ottoman Female Writer") composed of Fatma Aliye's letters. In these letters, she expresses her never ending enthusiasm to learn. Her essay
Nisvan-ı İslâm was translated into French under the title
Les femmes muselmannes by
Olga Lebedeva and also into Arabic language, and her novel
Udi into French. A criticism of her, published in a French newspaper, about a book titled "Women of East and West" by Frenchman Émile Julliard attracted much attention in
Paris. Also internationally acknowledged, her work was exhibited at the library of the 1893
World's Columbian Exposition in
Chicago, United States and was listed in the catalogue of the Women's Library at the fair. Despite her prominence until the Second Constitutional Era, she fell into oblivion with the time. ==Women's rights activist==