Novels His novels are: •
Del natural. Esbozos contemporáneos. (1889) •
Apariencias • Unauthorized version of
Apariencias (1892) in
El Oeste in Mercedes,
Argentina •
Suprema Ley (1896) • Unauthorized version of
Suprema Ley (1913) in a
Caracas,
Venezuela newspaper. •
Metamorfosis (1899) •
Santa (1903) •
Reconquista (1908) •
La llaga (1913) •
El evangelista: novel about Mexican customs (1922)
Autobiography and memoirs •
Impresiones y recuerdos (1893) •
Mi Diario. Primera Serie I: 1892–1896, (1908) •
Mi Diario I (1892–1896) Mucho de mi vida y algo de la de otros Introducción de José Emilio Pacheco •
Mi Diario, Primera Serie II: 1897–1900, (1910) •
Mi Diario, Primera Serie III: 1901–1904, (1920) •
Mi Diario, Mucho de mi vida y algo de la de otros, Segunda Serie I: 1905–1908, (1934) •
Mi Diario IV (1905–1908) Mucho de mi vida y algo de la de otros •
Mi Diario, Mucho de mi vida y algo de la de otros, Segunda Serie II: 1909–1911(1938) •
Mi Diario VI (1912–1919) Mucho de mi vida y algo de la de otros (1995) Posthumous. •
MI Diario VII (1920–1939) Mucho de mi vida y algo de la de otros (1996) Posthumous.
Theater His theater pieces are : •
La última campaña (1894): social comedy in three acts and prose; opened in Teatro Principal of Mexico City on 11 May 1894. •
Divertirse (1894): Monologue in prose. Opened on 6 June 1894 in the National Theatre in Mexico City. •
La venganza de la Gleba (1904) •
A buena cuenta (1907) Drama,
San Salvador. Opened on 6 February 1914 in Teatro Ideal in
Mexico City. •
Entre hermanos (1925), Tragedy; opened on 19 May 1928 in Teatro Arbeu, México.
Journalism • (1884) Proof reader of
El Foro, a journal of Law. • (1885–1887) Reporter, writer and chronicler for
El Diario del Hogar. Finally, has his own space in 1886:
Celajes de la ópera sign with the pseudonym «La Cocardière». A short while later, the column is called
Desde mi mesa (
From my table). • (1888) writer for
El Lunes. Starts to sign the articles under his name. • (1894–1895) Federico Gamboa and Ángel de Campo published in
El Mundo the article
Siluetas que pasan, that they wrote under the pseudonyms of Bouvard or Pécuchet. • (1915–1917) Interim director (1915), writer, in charge of translating into Spanish articles originally in English, French and Italian; in charge of the bibliographic section
La Reforma Social magazine, in
La Habana,
Cuba. • (1926–1939) wrote an article on a weekly basis for
El Universal.
Essays •
La novela mexicana (1914). This was a conference presented in the General Bookstore of Francisco Gamoneda on 3 January 1914. Printed the same year in México by México Eusebio Gómez de la Puente. •
La confesión de un palacio. Essay about Mexican national history. •
Un baile en Palacio, in collaboration with Gustavo Baz (1887)
Motion pictures based on his novels •
Suprema Ley (1896): made into a movie in 1936 and opened on 19 March 1937 in the Rex Cinema. Directed by Rafael E. Portas, it starred
Andrés Soler and Gloria Morel. •
Santa (1903) has been made into a movie four times in Mexico: in 1918, silent version directed by Luis G. Peredo with Elena Sánchez Valenzuela; in 1932,
directed by Antonio Moreno, with a song from
Agustín Lara and starring Lupita Tovar -this movie has been named within the best 100 films ever made in Mexico. In 1943, another version, directed by Norman Foster and starring Esther Fernandez, opened on June 10 in cinema Palacio and its showings lasted four weeks. Finally, in 1969 there Emilio Gómez Muriel directed the latest version. :There is a version made in
Spain in 1991, directed by Paul Leduc and called
Latino Bar and a free adaptation made in 1949, directed by Fernando de Fuentes, starring Esther Fernández and called
Hipólito el de Santa. • La Llaga (1913) •
Entre Hermanos (1928): made into a movie in 1945 directed by
Ramón Peón on a script written by
Emilio Fernández,
Mauricio Magdaleno and
Carlos Velo. It starred
Pedro Armendáriz,
Carmen Montejo,
Rafael Baledón and
Anita Blanch. == Notes and references ==