The fourth –
modernistic – wave of feminism reached Poland around 1900. While male
writers focused on the 'mysterious and mystic' nature of women, female authors (e.g.
Maria Konopnicka,
Eliza Orzeszkowa) were occupied with more rational aspects of
feminity.
Zofia Nałkowska was especially active in the Polish women's movement. Her speech
Uwagi o etycznych zadaniach ruchu kobiecego (''Remarks about Ethical Objectives of the Women's Movement'') during the Women's Congress in
Warsaw in 1907 condemned female
prostitution as a form of
polygamy. Nałkowska's first novel,
Kobiety (
Women) (1906), and another novel,
Narcyza (1910), denounced female passivity confronted with what she perceived as masculine domination.
Interwar period , 1930 The fifth wave of Polish feminism took place in the interwar period (1920s and 1930s). Feminist discourses of that epoch (in Poland as well as in other countries) searched for new definitions of feminism and tried to identify new goals (there were doubts about whether to fight for full equality or rather for protective
legislation). Almost every feminist (even radicals) believed that women had achieved their liberation.
Róża Melcerowa expressed those feelings:
Feminism (...) in fact ended among those nations where de jure had secured its object: social and political equality. Article 96 of the
Polish constitution of 1921 provided that all citizens were equal under law, however, it did not apply to married women. On 1 July 1921 the Act on the Change of Certain Provisions of the Civil Law Pertaining to Women's Rights was enacted by the
Sejm, to address the most obvious inequalities for women who were married. The provisions of the Act allowed women to control their own property (except their dowry), to act as witnesses to legal documents, to act as custodian of her children if her husband was incapacitated, and to live separately from her spouse. The law also removed the requirements that a woman had to obey her husband and abolished requirements for a wife to obtain her husband's permission to engage in legal actions. In 1932 Poland made
marital rape illegal. Nałkowska continued to analyse women's questions: in the novels
Romans Teresy Hennert (''Teresa Hennert's Liaison
, 1923) and Renata Słuczańska'' (1935) she dealt with the limits of women's liberty in traditional society. The 1920s saw the emergence of
radical feminism in Poland. Its representatives,
Irena Krzywicka and
Maria Morozowicz-Szczepkowska, shared an aggressive rhetoric and advocated women's deliverance from the emotional relationship with men ("fight against love") as the sole medium towards individual independence. Krzywicka and
Tadeusz Żeleński ('Boy') both promoted
planned parenthood,
sexual education, rights to
divorce and
abortion, and strict equality of sexes. Krzywicka published a series of articles in
Wiadomości Literackie (
Literary News) (from 1926), Żeleński wrote numerous articles (
Brewerie (
Brawls) 1926,
Dziewice konsystorskie (
Consistory Virgins) 1929,
Piekło kobiet (
Hell for Women) 1930,
Zmysły, zmysły (
Libido, Libido) 1932,
Nasi Okupanci (
Our Invaders) 1932), among others, in which he protested against interference by the
Roman Catholic Church into the intimate lives of Poles. Both Krzywicka and Żeleński were exceptionally active speakers, promoting the ideas of feminism in the whole country. A different aspect of Polish feminism figures in the
poetry and
drama (
Szofer Archibald (
Chauffeur Archibald) 1924 and
Egipska pszenica (
Egyptian Wheat) 1932) of
Maria Pawlikowska-Jasnorzewska. That author advocated a female erotic self-emancipation from social conventions.
Under communist rule Under the
Soviet Union, feminism in Poland both progressed and hindered.
World War II marked a turning point, greatly impacting the development of Poland as a whole, introducing both a need to rebuild the country after the destruction of the war and to embody new communist ideals. After the war, the
communist movement strengthened and the state briefly introduced initiatives to include more women in the workforce and expand social welfare programs for women. The
Polish Socialist Party (PPS) and the
Polish Workers' Party (PPR) established Women's Sections within the party. However, much of the cultural attitude remained stagnant and its conservative outlook was represented by the
Catholic Church in Poland. Polish culture was able to accept women workers as long as their work was for economic needs tied to the family–which both liberated women from domestic labor, but also tied them to the
Mother Polka identity. Even during the earlier communist years, much of the expansion of women in the workplace was done out of necessity; because many men died at war and due to rapid plans for
industrialization that required more labor. The state expanded women's roles through the creation of a
welfare state, providing paid leave and free childcare to lighten the double burden of working at home and at work. After Stalin's death, the ideal of women as mothers (
Matka Polka) returned and men saw female breadwinning as a threat to masculinity. ==Second-wave feminism==