Career in Britain Glyn worked in Britain between 1952 and 1958, appearing on both BBC and ITV television programs. She also appeared in the
Colwyn Bay Repertory Theatre's production of
Ragtime by David Read in 1956. Soon afterwards she acted (as ‘mother’) alongside
John Unicomb (‘father') in Dennis Driscoll's
Off the Deep End, also for the Colwyn Bay Repertory Theatre. Glyn's last known work in Britain was in two television films from 1957 –
The Bloodless Arena and
The Kentish Robin.
Career in Australia In 1958, Glyn returned to Australia and in mid-1959 was appearing with Unicomb as part of
J. C. Williamson's Shakespeare Company in a Melbourne production of
The Merchant of Venice. Glyn was noted by the
The Age's theatre critic as a 'seductive Jessica'. Glyn next played Regan in
King Lear, delivering a performance
The Sydney Morning Herald's critic described as 'firm and confident but unsuccessful in suggesting depths of character behind all the superficial hatefulness'. The following year, Glyn and Unicomb were appearing in a regular radio comedy,
Mr. and Mrs., part of a feature known as
Omnibus on Sydney radio station
2GB. The series, described as 'a sophisticated domestic comedy', was written by James Carhartt. In June 1961 Glyn appeared in an Australian television drama for the first time, in the role of Bessie in
The Sergeant from Burralee. She appeared in an episode of
Whiplash soon afterwards. In November of the same year, she appeared alongside
Barry Creyton in an adaptation of the novel
East Lynne at the Neutral Bay Music Hall. In late 1962, both Glyn and Unicomb had lead roles together, alongside
David Hutcheson and Martine Messager in another
J. C. Williamson’s production, a play adapted from
Marcel Achard's ''
L'Idiote, called A Shot in the Dark
, a French comedy which ran for nearly four months in Sydney and Melbourne. 1964 also saw Glyn act alongside Tony Ward, who would later be her Hunter
co-star, as well as her aunt Neva Carr Glyn, in Rape of the Belt'', a television play for the
ABC. In early 1965, Glyn became a 'weather girl' for
ATN7, working two nights a week in the role. During this time she and Unicomb were guest stars together on
The Mavis Bramston Show. In June, she also appeared in a play written and directed by Bob Herbert,
Campari Rocks. Her next play,
The Deadly Game, was an adaptation by James Yaffe of
Friedrich Dürrenmatt's novel and subsequent play
A Dangerous Game. It ran at the
Independent Theatre, North Sydney in January and February 1966. A television play followed,
Marcel Pagnol's
Topaze, in which Glyn played Suzy. Critic Harry Robinson praised Glyn, writing that 'her quirky lips and eyes' reflected 'the dry humour of the play most accurately'. In 1966 she also appeared in an Adelaide production of
Noël Coward's
Private Lives.
Hunter Glyn's relationship with
Crawford Productions began with a role in an episode of
Consider Your Verdict in 1963, followed by an episode of
Homicide. She was then contracted to play the character of Eve Halliday in
Hunter. The pilot for
Hunter was made in secret in 1966 as
Tony Ward was under contract to another channel; it was announced in
The Age's 'TV-Radio Guide' in early 1967 that Ward would star with Glyn as 'a pretty secretary'. This characterisation was revised the following week when she was instead described in the same paper as 'an experienced agent' who 'takes no-one at face value'. There was, however, very limited backstory for the character – aside from that she was a widow and that her husband, Gary, had been in the CIA and killed at the age of 34. Ward's character says in episode 7 of the series ("The Prometheus File Part 3") "She doesn't talk much about it." Glyn did not appear in the second series of
Hunter. By 1980, Glyn was described in an article on the NSW National Youth Film Festival as 'the current
Warringah Council arts officer and former actress'. ==Personal life==