National Museum of Anthropology (Mexico)

Designed in 1964 by Pedro Ramírez Vázquez, Jorge Campuzano, and Rafael Mijares Alcérreca. As the authors mentioned in "B. Pedro Ramírez Vázquez, Museo Nacional de Antropología, Mexico City" which is part of "Modern Architecture in Latin America" book, Pedro Ramírez Vázquez is a well-known architect, who graduated from UNAM'S School of Architecture, known for designing several buildings such as Secretarìa de Trabajo, Mercado de Coyoacάn, Mexico's pavilions, Museum of Modern Art in Mexico, and National Museum of Anthropology. Luis Castañeda mentioned in the article "Beyond Tlatelolco: Design, Media, and Politics at Mexico ’68" that during the design phase the designers visited museums in other countries to take some inspiration. For example, the courtyard was derived from the neoclassical rotunda of John Russel Pope which is in the National Gallery of Art in Washington. This sense is revealed through the interesting historical ornaments like Maya ornamentation, and the traditional materials like the lava rock. Moreover, many artists added their artistical touches to the design such as the mural at the entrance to the auditorium, stained glass, and tapestry mural. The rooms of the museums surround the central courtyard, creating an interesting experience for the visitors while moving in the museum. They were not only designed by the architect Ramírez Vázquez, but also by group of historians, artists, designers, and museum curators. Mathias Goeritz is one of the artists who contributed in designing the museum's interior by mixing traditional and modern elements, which made him closer to the official art circle in Mexico, because at the beginning he preferred only modern art and not the traditional one. He created large textile murals for Mexico's Huichol people. What makes that museum more special is the mix between local and universal culture, which is also performed at Ramírez's pavilions. This is shown through using the brick and stone with steel. The museum has 2 floors built around the central courtyard, where the ground floor reveals the ancient and historic civilizations, and the upper floor groups the archeology together with the ethnography and anthropology showing how the indigenous groups live. The intent in this museum was to create a pleasant flow having a sense of comfortability and privacy for the visitors while they circulate in it, they can feel the variety while moving from the exhibition rooms to larger spaces. This can create an emotional experience while they are scientifically exploring the relics and work of art. This interesting experience in the museum that has simple rectangular layout starts from the open entrance plaza and the natural vegetation from the courtyard to the most essential and largest exhibition hall "Mexica Room". Before entering to the exhibit rooms, there is an enclosed roofed lobby. It directs visitors to other rooms after welcoming them and introducing them to the museum. After this, there is a central patio that has 2 parts, one of them is a partially open space where the giant umbrella roof is built with the same width and materials as the lobby and entrance plaza. It is a space where visitors feel sheltered and protected from the harsh environmental conditions but not fully enclosed at the same time. It is elevated more than the other walls and has an opening through the column holding it, so that the rain is not accumulated above it. It is made out of reinforced concrete covered in aluminum, and there is decorative carvings on the column made by Chávez Morado who contributed in designing the murals for Brussel pavilion. The other part of the central patio is open and has a pool connected to the Mexica Room, highlighting its importance and symbolizing the lake origin of the Aztec culture. The Mexica Room is made out of gray floors, Santo Tomas marble, white marble, aluminum, and glass, which are used for the previous architectural features as well. The huge umbrella has steel structure covered with wood and filled with reinforced concrete. The area of the roof is approximately 265 by 175, strengthened by cables that are expanded from the column. The interesting fact is that this roof is the hugest one around the world and supported by one column only. While the director was finishing some tasks like moving the artifacts to the museum, preparing the electrical equipment, and performing some studies, the construction process was going on, and it took nineteen months. New construction techniques and pre-Hispanic ones were used. The museum was built using developed engineering and construction techniques, so the historical pieces can be shown ideally and effectively, having a great emotional impact on people. Also, the umbrella and the exhibit rooms were built before the other programs in the building to ensure moving the heavy machines easily. While structuring the museum, many aspects like spatial, aesthetics, and seismic conditions were taken into consideration. Prefabricated steel pieces were used to build the two-story building, the floor above the lobby area was supported on trusses that prevent the load from being transferred to the thin columns. On the first floor, the ceiling is two floor level and the part where there is low ceiling is the area for introducing the exhibits. Large dramatic exhibits are presented in double story part. ==History==