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Jacques Rivette filmography

Jacques Rivette was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles led to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on French Cancan and Jacques Becker on Ali Baba and the Forty Thieves. During this period he began writing film criticism for the magazine Gazette du Cinéma and later Cahiers du Cinéma, and was one of the most respected writers by his peers.

Films
Feature films Short films and television work Other work ==Theater work==
Theater work
==Alternative versions of his films==
Alternative versions of his films
and Michel Piccoli at the 1991 Cannes Film Festival. Rivette cut a shorter version of La Belle Noiseuse called La Belle noiseuse: Divertimento. Rivette edited shorter versions of several of his films with long running times. When ''L'Amour fou'' was released in January 1969 the 127 minute alternate version was simultaneously released at the production company's request. This version was simply a shorter version of the original work and Rivette immediately disowned it. The shorter Out 1: Spectre was 260 minutes and released in March 1974. Rivette said that Spectre was more of "a fiction about certain characters", "much tighter", "more compelling" and that it was "a different film having its own logic; closer to a jigsaw or crossword puzzle than was [Noli me tangere], playing less on affectivity, more on rhymes and contrasts, ruptures and connections, caesurae and censorship." When Out 1: Noli me tangere was restored in 2006, Rivette re-edited the film, rearranging scenes and cutting a ten-minute sequence out of the original 760 minute version. Love on the Ground was released as a 120-minute version after Rivette was forced to cut 50 minutes by the film's distributor. He said that the longer version was more complex and "structured similarly to Raymond Roussel's New Impressions of Africa, where there is a phrase, and then a parenthesis, which is tied to yet another phrase, and another parenthesis, ad infinitum." In order to cut 50 minutes out he simply "lifted the parentheses." The shorter cut of La Belle noiseuse (called La Belle noiseuse: Divertimento) was 120 minutes. He made this version due to contractual obligations to the film's producers and used different takes than the original film. This version is an entirely new film and not just a shorter version of the original work. The word Divertimento is both a reference to Igor Stravinsky's Divertimento from Le baiser de la fée and translates to a "not too serious work." This shorter version changes the film's focus from the process of creating art to the evaluation of the finished product. Rivette's original 220 minute cut of Va Savoir (called Va Savoir+) premiered on 24 April 2002 and only sold 1,734 tickets in its seven-week theatrical run at the cinema du Pantheon in Paris. Rivette said that Va Savoir+ is a completely different film than Va Savoir, the major difference being lengthy scenes of the actors performing Pirandello's Come tu mi vuoi instead of just rehearsals. Rivette said that in the longer version Pirandello's play is "another character" in the film. ==See also==
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