Development The film was based on a story "The Interruption", first published in the July 4, 1925, issue of
Liberty magazine and later collected in
Sea Whispers in 1926.
Arthur Lubin bought the rights to the story in August 1949 for his own company. Several parties were interested in the story. The rights holders liked the job Lubin did on
Two Sinners based on the story of a friend of theirs, Warwick Deeping. Lubin hoped to make the film in October 1949 from a script by Dorothy Reid with
Glenn Ford starring. However Lubin instead made
Francis the Talking Mule and became busy doing comedies with animals. He continued to seek finance for
The Interruption saying he wanted to "remind producers that he can direct people too." In August 1951 he said he said signed
Leonard Styles to play the barrister and wanted to make the movie after
It Grows on Trees. In April 1952 Lubin said Dorothy Reid was writing a script and that he hoped to star
Jean Simmons or
Jennifer Jones in the female lead and
Robert Donat in the male lead. In July 1952 Lubin said he was about to sign a deal with James Woolf of Romulus Films. He visited England in August seeking to raise finance and hoped for
Terence Rattigan to write the script. In October 1953 Lubin, who had just made
Star of India in England, said he planned to shoot his still unproduced crime thriller in that country as
The Interrupted with
Glynis Johns in the female lead. In March 1954 the film was called
Deadlock and Lubin had sent a script to
Alec Guinness. Then in June 1954 Lubin said
Columbia had agreed to finance and that
Maureen O'Hara and
George Sanders would star. Then in October Lubin announced the stars would be Stewart Granger and Jean Simmons and the film would be made by Mike Frankovich's company, Film Locations. Later the title would be changed to
Rebound before
Footsteps in the Fog.
Lenore Coffee, who had a good reputation as a
script doctor, was hired to rewrite the script. She started that process by going through the existing script with Granger, and found him "[h]ighly intelligent, more responsive to new ideas than I had expected, and capable of building on them." The film was to be the second in a four picture slate from Frankovich's Film Locations. The first was
Fire Over Africa. The third was to be
Ghosts of Drury Lane directed by Lubin. The fourth was to be
Matador starring and directed by José Ferrer. The third and fourth films were not made.
Shooting Arthur Lubin said he enjoyed making the film. "Mike [Frankovich] was a very nice person to work for", he recalled. "I had problems with the leading man, Stewart Granger, who hated me. He didn't like anything. He would go to Frankovich and say 'Mike, if Lubin doesn't stop annoying me I'm going to be sick tomorrow.' But miraculously the picture turned out to be a good one." He said "it was a great pleasure to work with Jean Simmons." The production budget was £112,118 plus an additional sum of $453,000 in fees for Stewart Granger and Jean Simmons, director Lubin and screenwriters Coffee and Davenport. Lubin wanted to follow it with another film for Frankovich,
Ghosts of Drury Lane, which was never made. ==Reception==