created the concept of "the Force" both to advance the plot of
Star Wars (1977) and to try to awaken a sense of spirituality in young audience members.
Creation for the original films George Lucas created the concept of the Force to address character and plot developments in
Star Wars (1977). He also wanted to "awaken a certain kind of spirituality" in young audiences, suggesting a belief in God without endorsing any specific religion. He developed the Force as a nondenominational religious concept, "distill[ed from] the essence of all religions", premised on the existence of God and distinct ideas of
good and evil. In 1970s
San Francisco, where Lucas lived when he wrote the drafts that became
Star Wars,
New Age ideas that incorporated the concept of
qi and other notions of a mystical life-force were "in the air" and widely embraced. Lucas used the term
the Force to "echo" its use by Canadian cinematographer
Roman Kroitor in
Arthur Lipsett's
21-87 (1963), a
National Film Board production, in which Kroitor says, "Many people feel that in the contemplation of nature and in communication with other living things, they become aware of some kind of force, or something, behind this apparent mask which we see in front of us, and they call it God". The first draft of
Star Wars makes two references to "the Force of Others" and does not explain the concept: King Kayos utters the blessing "May the Force of Others be with you all", and he later says "I feel the Force also". The power of the Force of Others is kept secret by the Jedi Bendu of the Ashla, an "aristocratic cult" in the second draft. The second draft offers a lengthy explanation of the Force of Others and introduces its Ashla light side and Bogan dark side. In this draft, Luke Starkiller's mission is to retrieve the
Kyber Crystal, which can intensify either the Ashla or Bogan powers. Lucas finished the fourth and near-final draft on January 1, 1976. This version trims "the Force of Others" to "the Force", makes a single reference to the Force's seductive "dark side", distills an explanation of the Force to 28 words, and eliminates the Kyber Crystal. Producer
Gary Kurtz, who studied
comparative religion in college, had long discussions with Lucas about religion and philosophy throughout the writing process. Kurtz told Lucas he was unhappy with drafts in which the Force was connected with the Kyber Crystal, and he was also dissatisfied with the early Ashla and Bogan concepts. The focus on the Emperor was later shifted to
Return of the Jedi (1983),
Prequel films and midi-chlorians The Phantom Menace (1999) introduces
midi-chlorians (or
midichlorians), microscopic creatures that connect characters to the Force. Lucas later requested a passage about midi-chlorians be retroactively added to notes written in August 1977 expanding on the nature of the Force. Lucas based the concept on
symbiogenesis, calling midi-chlorians a "loose depiction" of
mitochondria. He further said: In a rough draft of
Revenge of the Sith (2005), Palpatine says he "used the power of the Force to will the midichlorians to start the cell divisions that created Anakin Skywalker". This line was removed as the script progressed.
Sequel films and other productions Lucas' story treatments for a potential sequel trilogy involved "a microbiotic world" and creatures known as the Whills, beings that "control the
universe" and "feed off the Force." He elaborated that individuals function as "vehicles for the Whills to travel around in", and that midi-chlorians "communicate with the Whills [who] in a general sense ... are the Force." After selling
Lucasfilm to
Disney in 2012, Lucas said his biggest concern about the franchise's future was the Force being "muddled into a bunch of
gobbledegook". When writing
The Force Awakens (2015) with
Lawrence Kasdan,
J. J. Abrams respected that Lucas had established midi-chlorians' effect on some characters' ability to use the Force. However, as a child, he interpreted
Obi-Wan Kenobi's explanation of the Force in
Star Wars to mean that any character could use its power, and that the Force was more grounded in spirituality than science.
Pablo Hidalgo of the Lucasfilm Story Group gave his "blessing" for writer-director
Rian Johnson to introduce a new Force power in
The Last Jedi (2017) "if the story required it and if it felt like it stretches into new territory but doesn't break the idea of what the Force can do." Johnson observed that every
Star Wars movie introduces new Force powers to meet that film's story needs. Filoni credits the prequel films for better developing the concept of the Force, particularly the idea of a balance between the light and dark sides. ==Depiction==