Rundgren invited the band to move their recording sessions from his commercial space into the private studios in his own home on nearby Mink Hollow Road, Lake Hill, New York. Extra
horn work was contributed by Donn Adams, a longtime player with the American rock band
NRBQ. A classical cellist, Ann Sheldon, was recruited from the
Royal College of Music. Flo & Eddie (singers
Howard Kaylan and
Mark Volman) arrived at the end of recording time when the band thought all the tracks were finalised. When they learned of the vocal duo's purpose, "they weren't really up for it," said Kaylan; the two veterans "represented
establishment ... [W]e literally felt like, for the first time as session guys, we were proving ourselves". Rundgren also made musical contributions of his own, including the marimba on "Love My Way" and the saxophone on "No Easy Street". But his primary goal as producer was "helping the band focus their potential". His more unorthodox methods included an instance of climbing to the roof of the studio and dropping lit firecrackers near the unsuspecting band when "we were sort of playing a little sluggishly", as Tim Butler recalled. By his various means, Rundgren motivated the players to create, and by his well-known personal style of
power pop-inflected "
wall of sound" production, he restored the band's sonic richness – the signature Furs characteristic described approvingly in
Rolling Stone as "the thick, viscous smear of guitars, drums and vocals". == Music ==