uses complex techniques to produce formlines After European contact in the late 18th century, the peoples who produced Northwest Coast art suffered huge population losses due to diseases such as
smallpox, and cultural losses due to forced assimilation into European-North
American culture, Canadian colonial cultural suppression, and the confiscation or destruction of traditional art and artifacts of ritual and governance. The production of their art dropped drastically. Toward the end of the 19th century, Northwest Coast artists began producing work for commercial sales, such as small
argillite carvings produced by the Haida. The end of the 19th century also saw large-scale export of totem poles, masks and other
traditional art objects from the region to museums and private collectors globally. Some of this export was accompanied by financial compensation to people who had a right to sell the art, and some was not. In the early 20th century few First Nations artists in the Northwest Coast region produced art. A tenuous link to older traditions remained in artists such as Charles Gladstone (
Haida), Stanley George (
Heiltsuk) and
Mungo Martin (
Kwakwaka'wakw). The mid-20th century saw a revival of interest and production of Northwest Coast art, due to the influence of artists and critics such as
Bill Reid, a grandson of Charles Gladstone, and others. Reid developed his understanding of Haida formline by studying ethnographic museum collections, and by making sculptures and serigraphs. In 1975, American anthropologist Edmund “Ted” Carpenter invited Reid and Holm to co-author
Form and Freedom: A Dialogue on Northwest Coast Indian Art, a book documenting the pair's discussions about more than one hundred Northwest Coast art objects. The renewal of Haida art is part of a wider cultural and political awakening among First Nations. It also saw an increasing demand for the return of art objects (known as Repatriation) that were illegally or immorally taken from First Nations communities. This demand continues to the present day. Today, numerous art schools teach formal Northwest Coast art of various styles, and there is a growing market for new art in this style. ==See also==