I.
"Lord, Come Away!", penned by Jeremy Taylor, is notable for shifts in dynamics relative to the poetic content. II.
"Who is this fair one?", written by Isaac Watts, features notable interplay between the solo tenor and solo viola, the two instruments communicating. III.
"Come Love, Come Lord", by Richard Crashaw, among the shortest in the cycle, and perhaps the most mysterious. IV.
"Evening Hymn", translated from the Greek by Robert Bridges, is a contrapuntal composition, and features two themes, the viola and tenor melody with the bell-like basso
ostinato accompaniment. ==References==