Development Gomez became interested in the concept of the film after reading an article in 1993 about the suicide of a couple. In her words: When developing the story into a screenplay, Azevedo Gomes integrated fragments of literary texts by poets like
Agustina Bessa-Luís,
Cecília Meireles,
Luís Vaz de Camões,
Rainer Maria Rilke, and
Sophia de Mello Breyner Andresen, whose verse "Terror de te amar num sítio tão frágil como o mundo", from the poem Terror de Te Amar, gives the film its title. In addition to these literary inspirations, particularly for the protagonist's grandfather, used references from the cinema of
Carl Theodor Dreyer. With small production means, Gomes started the preparation of "Fragile Like the World" on her own. When Paulo Branco joined the project, most of the pre-production (such as casting, retakes, and props) had already been done by the director. About recording locations, Gomez recalls that "I used to talk to forestry service directors - and everything in
Sintra is paid for at the price of gold, and I didn't pay a penny, Paulo didn't pay a penny, because I did everything myself, (...) I got all the décors there for free".
Post-production The filmmaker's intense involvement extended into the post-production phase. Besides the transition to black and white, the lack of direct sound forced the dubbing of the characters by the actors and the subsequent composition of environmental sounds. In her words: The sound problems also triggered new dialogue rewrites, in addition to the inclusion of a poem, Menina e Moça, by Bernardim Ribeiro, which led to the invitation to filmmaker Mário Barroso to interpret it as narrator. == Themes ==